Timeplan 2023 Høst - emne KVI-1111-1

Oppgave: Som nevnt i dagens orienteringsmøte ber jeg deg velge to verk fra ulike sjangre du vil knytte til begrepet barokk. Ordet sjanger viser her til arkitektur, byplanlegging, grafikk, kunsthåndverk, maleri, skulptur, tegning (evt. andre). De to verkene du velger kan være hentet fra den historiske barokken (1600- og første halvdel av 1700-tallet) eller nyere tids kunst som aktualiserer begrepet barokk.

Tips: Bruk gjerne Laurie Schneider Adams’ Key Monuments of the Baroque hvis du ønsker tips om den historiske barokken, eller andre deler av pensum om du søker ut over dette.

Øvrig litteratur, bl.a.:

- Erwin Panofsky, "What is Baroque?"

Litteratur: Laura Schneider Adams, kap. 1-3

Magne Malmanger, Barokkens verden, s. 7-25

Erwin Panofsky, “What is Baroque?”, s. 7-21

Christian Norberg-Schulz, "The Baroque Age", s. 7-18

Kursorisk: Knut Ove Eliassen, "Den barokke fornuftens aktualitet", s. 254-280

Litteratur: Laura Schneider Adams, kap. 1-3

Magne Malmanger, Barokkens verden, s. 7-25

Erwin Panofsky, “What is Baroque?”, s. 7-21

Christian Norberg-Schulz, «The City», om Roma s. 19-32

Marvin Trachtenberg, "The Baroque", s. 327-348

Adams Laurie Schneider, kapittel 2: "Baroque Architecture and Sculpture in Rome" (om Peterskirka)

Litteratur:

– Marcus B. Burke, «Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 1550-1700», A Companion to Renaissance and Baroque Art, kap. 23

- Catherine Hall-van den Elsen, «Life at Court: Luisa Roldán in Madrid 1689–1706», Women Artists in the Early Modern Courts of Europe (c. 1450–1700)

Francis Haskell, "The Mechanisms of Seventeenth-Century Patronage"

Clare Robertson, "Federico Zuccari's Accademia del Disegno and the Carracci Accademia degli Incamminati : drawing in theory and practice"

Gail Feigelbaum, "Practice in the Carracci Academy"

Marvin Trachtenberg, "The Baroque", s. 327-348

Michael Hill, "Practical and Symbolic Geometry in Borromini’s San Carlo alle Quattro Fontane", s. 555-583

Litteratur:

- Laura Schneider Adams, kap. 4

- Simon Altmann, “The Illusion of Mirrors: Velázquez's Las Meninas”

- Michel Foucault, “Las Meninas”, Tingenes orden

- Leo Steinberg, “Velázquez’ ’Las Meninas’”

- Zara Veliz, “Signs of Identity in 'Lady with a Fan' by DiegoVelázquez: Costume and Likeness Reconsidered”

Litteratur:

- Laura Schneider Adams, kap. 4

- Simon Altmann, “The Illusion of Mirrors: Velázquez's Las Meninas”

- Michel Foucault, “Las Meninas”, Tingenes orden

- Leo Steinberg, “Velázquez’ ’Las Meninas’”

- Zara Veliz, “Signs of Identity in 'Lady with a Fan' by DiegoVelázquez: Costume and Likeness Reconsidered”

Francis Haskell, "The Mechanisms of Seventeenth-Century Patronage"

Clare Robertson, "Federico Zuccari's Accademia del Disegno and the Carracci Accademia degli Incamminati : drawing in theory and practice"

Gail Feigelbaum, "Practice in the Carracci Academy"

Litteratur:

- Laura Schneider Adams, kap. 4

- Simon Altmann, “The Illusion of Mirrors: Velázquez's Las Meninas”

- Michel Foucault, “Las Meninas”, Tingenes orden

- Leo Steinberg, “Velázquez’ ’Las Meninas’”

- Zara Veliz, “Signs of Identity in 'Lady with a Fan' by DiegoVelázquez: Costume and Likeness Reconsidered”

Litteratur:

Christian Norberg-Schulz, "The City", s. om Paris (og Torino) s. 32-61

Marvin Trachtenberg , "The Baroque", s. 348-359 (Frankrike)

Hillary Ballon, “Vau-le-Vicomte: Le Vau’s Ambition”, s. 271-93  s. 271-93

Barokk arkitektur: spredning nordover

Litteratur:

- Marvin Trachtenberg , "The Baroque", s. 359-71

- Adams Laurie Schneider, kap. 9, “Late Baroque and Rococo”

- Laura Schneider Adams, kap. 5

- Galletti, Sara, “Rubens’s Life of Maria de’ Medici: Dissimulation and the Politics of Art in Early Seventeenth-Century France”

- Wayne Franits, «Genre Painting in SeventeenthCentury Europe», A Companion to Renaissance and Baroque Art, kap. 20

Litteratur:

- Laura Schneider Adams, kap. 5

- Galletti, Sara, “Rubens’s Life of Maria de’ Medici: Dissimulation and the Politics of Art in Early Seventeenth-Century France”

- Wayne Franits, «Genre Painting in SeventeenthCentury Europe», A Companion to Renaissance and Baroque Art, kap. 20

Thomas Puttfarken, Caravaggio's Story of St. Mathew"

Laura Scneider Adams, kapittel 3

Tanja Jones, Introduction: Women Artists in the Early Modern Courts of Europe

Christina Strunck, Female Court Artists: Women’s Career Strategies in the Courts of the Early Modern Period

Cecilia Gamberini, Sofonisba Anguissola, a Painter and a Lady-in-Waiting

Babette Bohn, From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe

Thomas Puttfarken, Caravaggio's Story of St. Mathew"

Laura Scneider Adams, kapittel 3

Tanja Jones, Introduction: Women Artists in the Early Modern Courts of Europe

Christina Strunck, Female Court Artists: Women’s Career Strategies in the Courts of the Early Modern Period

Cecilia Gamberini, Sofonisba Anguissola, a Painter and a Lady-in-Waiting

Babette Bohn, From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe

Litteratur:

- Rebecca Parker Brienen, «Cannibalizing America From the Ethnographic Impulse to the Ethnographic Portrait», Visions of Savage Paradise: Albert Eckhout, Court Painter in Colonial Dutch Brazil, kap. 3

- Mårten Snickare, Colonial Objects in Early Modern Sweden and Beyond: From the Kunstkammer to the Current Museum Crisis, kap. 1 og 3

Laura Scneider Adams, kapittel 2

Litteratur:

Robert Harbison, "Colonial Baroque", s. 164-92.

Les gjerne også Larry Silver, "Europe’s Global Vision", i A companion to Renaissance and Baroque art, s. 85-105

Litteratur:

- Rebecca Parker Brienen, «Cannibalizing America From the Ethnographic Impulse to the Ethnographic Portrait», Visions of Savage Paradise: Albert Eckhout, Court Painter in Colonial Dutch Brazil, kap. 3

- Mårten Snickare, Colonial Objects in Early Modern Sweden and Beyond: From the Kunstkammer to the Current Museum Crisis, kap. 1 og 3

Michelle Lang, Neo-Baroque and Baroque: Situating Lucian Freud between Rubens and Rembrandt

Litteratur:

- Alison G. Stewart, «The Birth of Mass Media: Printmaking in Early Modern Europe», A Companion to Renaissance and Baroque Art, kap. 12

- Jeffrey Chipps Smith, «Historians of Northern European Art: From Johann Neudörfer and Karel van Mander to the Rembrandt Research Project», A Companion to Renaissance and Baroque Art, kap. 24

- David Cast, «Artistic Biography in Italy: Vasari to Malvasia», A Companion to Renaissance and Baroque Art, kap. 25

Litteratur:

Robert Harbison, ”Baroque in the Twentieth Century”, s. 222-240

Irene Nero, “Baroque Tendencies in Contemporary Architecture: The Guggenheim Bilbao”, s. 189-212

Knut Ove Eliassen, "Den barokke fornuftens aktualitet", s. 254-280

Litteratur:

- Robert J. Miles, “If It’s Baroque, Don’t Fix It: Picasso's Exilic Resurrection of Velázquez and the (Ab)use of Las Meninas”

- Simon Altmann, “The Illusion of Mirrors: Velázquez's Las Meninas”

- relevant museers nettsider