Timeplan 2022 Høst - lærer Svein Aamold - Professor

Claire Bishop, Artificial Hells, kap. 1-3

Claire Bishop, Artificial Hells, kap. 1-3

Mithlo, Nancy. «No Word for Art in Our Language?: Old Questions, New Paradigms»: https://nancymariemithlo.com/images/category/61-27.1.mithlo01-1.pdf 

Art Journal, Vol. 76, No. 2, 2017.
Sherry Farrell Racette, «Tuft Life»

Sámi Art and Aesthetics: Contemporary Perspectives
Gunvor Guttorm, "The Power of Natural Materials and Environments in Contemporary Duodji".
Monica Grini, "Contemporary Sámi Art in the Making of Sámi Art History".

Program:

09.30/10.00–12.00 Seminar: "Hommage to Hans Ragnar Mathisen, Elle-Hánsa, Keviselie" the Music Conservatory. Direction: Krognessvegen 33. 9006 Tromsø (detailed program will follow)

12.00–13.15 return to Breivika (and lunch), we'll meet at SVHUM A3018

13.15–14.30 Ingeborg Høvik: Arctic Indigenous portraits in European museums and collections

14.45–16.00 Svein Aamold: Belonging - Landscape, art and value in Sápmi

Readings:
Høvik, Ingeborg. "Art History in the Contact Zone: Hans Zakæus's First Communication", in Svein Aamold et.al. (eds.), Sámi Art and Aesthetics: Contemporary Perspectives, 2017.

10.15 Svein Aamold: Johan Turi: Speaking back to the colonizers

11.15 Svein Aamold: Johan Turi: Speaking back to the colonizers

Readings

Aamold, Svein, "Indtroduction: Unstable Categories of Art and People" and "Representing the Hidden and the Perceptible", in Sámi Art and Aesthetics, 2017

12.00 lunch

12.45 – 13.30 Ingeborg Høvik: Photography. Sápmi. Archival material.

13.45-15.00 Ingeborg Høvik: Photography. Greenland. John Møller.

Readings

Høvik, Ingeborg. 2016. "Reproducing the indigenous: John Møller's studio portraits of Greenlanders in context", Acta Borealia.
From Sigrid Lien and Hilde W. Nielssen (eds.), Adjusting the Lens, 2021:
    Lehtola, Veli-Pekka. ““Our Histories” in the Photographs of Others: Sámi Approaches to Archival Visual
Materials». 
    Payne, Carol. «Disruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in
Nunavut»

Claire Bishop, Artificial Hells, kap. 4–5

Art Journal, Vol. 76, No. 2, 2017, texts in the reading list.

Claire Bishop, Artificial Hells, kap. 6–10

Claire Bishop, Artificial Hells, kap. 6–10

Art Journal, Vol. 76, No. 2, 2017, texts in the reading list.

Monani, Salma et al., "Indigenous Media: Dialogic Resistance to Climate Disruption", The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, eds. Demos, T. J ; Scott, Emily Eliza ; Banerjee, Subhankar, 2021: 182–193.

Litteratur: 
Nordhagen, Per Jonas og Nils Georg Brekke, «1800-1900 På veg mot det moderne: Kapittel 9: Borgarskapet sitt hundreår», Brekke, Nils Georg, Per Jonas Nordhagen og Siri Skjold Lexau, Norsk arkitekturhistorie: Frå steinalder og bronsealder til det 21. hundreåret, Oslo: Det Norske Samlaget, 2008: 235–288

Litteratur: 
Nordhagen, Per Jonas og Nils Georg Brekke, «1800-1900 På veg mot det moderne: Kapittel 9: Borgarskapet sitt hundreår», Brekke, Nils Georg, Per Jonas Nordhagen og Siri Skjold Lexau, Norsk arkitekturhistorie: Frå steinalder og bronsealder til det 21. hundreåret, Oslo: Det Norske Samlaget, 2008: 235–288

Hage Ingebjørg, «Grosch-kirker i Nord-Norge: lokale ønsker og sentral styring», Foreningen til norske fortidsminnesmerkers bevaring, Vol. 155, 2001: 25–40

Sámi Art and Aesthetics: Contemporary Perspectives (2017), chapters in the reading list.

Guttorm, Gunvor, «Stories created in stitches», Afterall 2018

Oskal, Nils, “The Character of the Milk Bowl as a Separate World, and the World as a Multitudinous Totality of References”, Sámi Stories: Art and Identity of an Arctic People, 2014

Pollan, Brita, “A Stitching for Untold Stories: Britta Marakatt-Labba’s Embroidered Frieze”, Kunst til stede / Art in Place, 2008

Litteratur: 
Nordhagen, Per Jonas og Nils Georg Brekke, «1800-1900 På veg mot det moderne: Kapittel 9: Borgarskapet sitt hundreår», Brekke, Nils Georg, Per Jonas Nordhagen og Siri Skjold Lexau, Norsk arkitekturhistorie: Frå steinalder og bronsealder til det 21. hundreåret, Oslo: Det Norske Samlaget, 2008: 235–288

Litteratur:

Hoel, Kari, “Innledning”, “Kongens Slott”, “Hula Væveri i Sagveien”, “Norges Banks Avdelingskontor 1830”, Norges Banks Hovedsete 1906”, Monumentalarkitektur i Oslo: Fra kongens slott til kunnskapens tempel, Bergen: Vigmostad & Bjørke, 2008, s. 10-159, 177

The Art of Art History, kap. 1–3

The Art of Art History, kap. 1–3

Litteratur:

Christensen, Arne Lie. «Nasjonalromantikk og nostalgi fra 1840-1890», Christensen, Arne Lie, Kunsten å bevare: Om kulturminnevern og fortidsinteresse i Norge, Oslo: Pax, 2011: 21-71, 245–248,  samt ill. 16 sider

Programme, student presentations, Thursday, September 29.

Room SVHUM A3018. I will lead the seminar digitally via Zoom and apologize for the inconvenience this may cause.

NB! The length of your presentation must not exceed 15 minutes.

10.15 Ulrikke Marie Bendiksen. Outi Pieski, Eatnu, eadni, eana (Stream, Mother, Ground), 2012, steel, height c. 4 metres, Sajos, Inari, Finland

10.45 Nathalie Marie Röthe. Johan Turi, Spring Wandering Towards the Norwegian Coast (date unknown), watercolour, gouache, crayon, pencil and stamps on paper, 24.8x31.9 cm, The Nordic Museum, Stockholm.

11.15 Tone Bjørnsen. The Sámi Parliament building, Kárášjohka (Karasjok).

11.45 Lunch

12.30 Leif Magne Tangen. Hans Zakæus, First Communication with the Natives of Prince Regents Bay, as Drawn by John Sakheouse and Presented to Capt. Ross Aug. 10th 1818, 1819, print, 28x42,8 cm.

13.00 Katarzyna Kapica. Iver Jåks, Runebommehammeren (The Holy Drum-Hammer), 1983, Kárášjohka (Karasjok).

13.30 Martyna Maria Kochman. Britta Marakatt-Labba’s Historjá (History), 2003-2008, embroidered frieze, UiT the Arctic University of Norway, campus Tromsø.

14.00 Intermission

14.15 Lucie Meinhardt. Lena Stenberg, Anne Marja, What Do You See, 1994, oil on canvas.

14.45 Alex Meike Brachmann. Max Lundström, Dabtemeh (Feelings), 2003, burl (wood).

15.15. Ingunn Steiro. Silje Figenschou Thoresen, from the project Kløkt (The Indigenuity Project), 2010–2014, mixed media (with Joar Nango): a) Mailbox with flag, postcard 14.7 x 10.5 cm; b) Reindeer fence with ladder (digital documentation photo); c) Waterhose wound around a wheel rim, postcard 14.7 x 10.5 cm.

15.45 Concluding debate

Litteratur:

Christensen, Arne Lie. «Nasjonalromantikk og nostalgi fra 1840-1890», Christensen, Arne Lie, Kunsten å bevare: Om kulturminnevern og fortidsinteresse i Norge, Oslo: Pax, 2011: 21-71, 245–248,  samt ill. 16 sider

The Art of Art History, kap. 1–3

The Art of Art History, kap. 8

Litteratur:

Nordhagen, Per Jonas og Nils Georg Brekke, «1800-1900 På veg mot det moderne: Kapittel 9: Borgarskapet sitt hundreår», Brekke, Nils Georg, Per Jonas Nordhagen og Siri Skjold Lexau, Norsk arkitekturhistorie: Frå steinalder og bronsealder til det 21. hundreåret, Oslo: Det Norske Samlaget, 2008: 235–288

Ladd, Brian, “The Closed Versus the Open Cityscape: Rival Traditions from Nineteenth-Century Europe”, Change Over Time, Vol. 4, No. 1 (Spring 2014): 58–74

Neuman, Michael, “Centenary Paper: Ildefons Cerdà and the future of spatial planning: The network urbanism of a city planning pioneer”, The Town Planning Review, Vol. 82, No. 2 (2011): 117–143

The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, kapitlene i pensum.

Litteratur:

Nordhagen, Per Jonas og Nils Georg Brekke, «1800-1900 På veg mot det moderne: Kapittel 9: Borgarskapet sitt hundreår», Brekke, Nils Georg, Per Jonas Nordhagen og Siri Skjold Lexau, Norsk arkitekturhistorie: Frå steinalder og bronsealder til det 21. hundreåret, Oslo: Det Norske Samlaget, 2008: 235–288

Ladd, Brian, “The Closed Versus the Open Cityscape: Rival Traditions from Nineteenth-Century Europe”, Change Over Time, Vol. 4, No. 1 (Spring 2014): 58–74

Neuman, Michael, “Centenary Paper: Ildefons Cerdà and the future of spatial planning: The network urbanism of a city planning pioneer”, The Town Planning Review, Vol. 82, No. 2 (2011): 117–143

Arkitektur - Norge

Nordhagen, Per Jonas og Nils Georg Brekke 2008. «1800-1900 På veg mot det moderne: Kapittel 9: Borgarskapet sitt hundreår», i Brekke, Nils Georg, Per Jonas Nordhagen og Siri Skjold Lexau, Norsk arkitekturhistorie: Frå steinalder og bronsealder til det 21. hundreåret.

Christensen, Arne Lie 2011. «Nasjonalromantikk og nostalgi fra 1840-1890», i Christensen, Arne Lie, Kunsten å bevare: Om kulturminnevern og fortidsinteresse i Norge.

Hoel, Kari, 2008. “Innledning”, “Kongens Slott”, “Hula Væveri i Sagveien”, “Norges Banks Avdelingskontor 1830”, Norges Banks Hovedsete 1906”, Monumentalarkitektur i Oslo: Fra kongens slott til kunnskapens tempel.

Hage Ingebjørg, 2001. «Grosch-kirker i Nord-Norge: lokale ønsker og sentral styring», Foreningen til norske fortidsminnesmerkers bevaring, Vol.. 155.

Arkitektur - internasjonalt

Ladd, Brian, 2014. “The Closed Versus the Open Cityscape: Rival Traditions from Nineteenth-Century Europe”, Change Over Time, Vol. 4, No. 1,  58–74.

Neuman, Michael, 2011. “Centenary Paper: Ildefons Cerdà and the future of spatial planning: The network urbanism of a city planning pioneer”, The Town Planning Review, Vol. 82, No. 2, 117–143.

Vegas, Fernando and Camilla Mileto, 2013. “World’s Fairs: Language, Interpretation, and Display”, Change Over Time, Vol. 3, No. 2, 174–187.

Maleri

Sjåstad, Øystein, 2018. «‘Menneskens Søn’ – En kunstnerisk anakronisme» i Christian Skredsvig redigert av Anna Vira Figenschou. 6-43.

Facos, Michelle, 2011. “Ch. 10: “Imagined Communities”, “Ch. 13: Symbolism”, An Introduction to Nineteenth-century Art.

Eisenmann et al., 1994 eller senere utg. ”Realism and Naturalism", Nineteenth Century Art: A Critical History.

The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, kapitlene i pensum.

The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, kapitlene i pensum.

Claudette Lauzon, The Unmaking of Home in Contemporary Art, Introduciton og kap. 1–3

Claudette Lauzon, The Unmaking of Home in Contemporary Art, Introduciton og kap. 1–3

Sjåstad, Øystein, 2018. «‘Menneskens Søn’ – En kunstnerisk anakronisme» i Christian Skredsvig redigert av Anna Vira Figenschou. 6-43.

Facos, Michelle, 2011. “Ch. 10: “Imagined Communities”, “Ch. 13: Symbolism”, An Introduction to Nineteenth-century Art.

Eisenmann et al., 1994 eller senere utg. ”Realism and Naturalism", Nineteenth Century Art: A Critical History.

Programme:

10.15–12:00 with intermission: Svein Aamold, Indigenous Studies - some concepts.

12:00–12:45: Lunch

12:45–13:30: Seminar: Duodji, náhppi. Recent art in Greenland (Denmark) and Sápmi.

13:45–14:30: Seminar: Duodji, náhppi. Recent art in Greenland (Denmark) and Sápmi.

14:45–16:00 Seminar: Duodji, náhppi. Recent art in Greenland (Denmark) and Sápmi.

Reading list:

Fanon, Frantz 1961 (2003), “On National Culture” (from The Wretched of the Earth, 1961), in Art in Theory, translated by Constance Farrington. 2003: 710–715

Gaski, Harald, 2008. “Nils-Aslak Valkeapää: Indigenous Voice and Multimedia Artist”, AlterNative: An International Journal of Indigenous Peoples, 155-178

Heith, Anne, 2015. “Enacting Colonised Space: Katarina Pirak Sikku and Anders Sunna”, Nordisk Museologi, 69–83

Kreuger, Anders, 2018. “Britta Marakatt-Labba: ‘Images Are Always Stories’”, Afterall: A Journal of Art, Context and Enquiry, 4–17

Kuokkanen, Rauna. 2017. Indigenous Epistemes.

Pollan, Brita, 2008. “A Stitching for Untold Stories: Britta Marakatt-Labba’s Embroidered Frieze”, Kunst til stede / Art in Place, ed. Torild Gjesvik et al., 42-48

Sámi Art and Aesthetics: Contemporary Perspectives, ed. Svein Aamold et al., 2017: Texts by Ulla Angkjær Jørgensen, Kirsten Thisted and Monica Grini.

Wenzel, Jennifer. 2017. Decolonization.

Young, Robert J.C. 2012. Postcolonial Remains.

Prgramme:

10:15–11:00. NB! Ingeborg Høvik, Visit in Árdna.

11:00–11:15. Intermission.

11:15–12:00. Rognald H. Bergesen, "Early conceptions of the Sámi"

12:00–12:45. Lunch

12:45–13:30. Rognald H. Bergesen, "Early conceptions of the Sámi"

13:30–13:45. Intermission.

13:45–15:00 with intermission: Svein Aamold, Summary of the course, with discussion and evaluation. Writing art history, a short guide. Concluding seminar.

Reading list:

Bergesen, Roghald H., 2017. "Hybrid Iconoclasm: Three Ways of Viewing the Sámi as the Other", Sámi Art and Aesthetics: Contemporary Perspectives, ed. Svein Aamold et al., 31–48.

Haugdal, Elin. 2018. “It’s Meant to Decay”: Contemporary Sámi Architecture and the Rhetoric of Materials»

Snarby, Irene. 2017. “The Sculpture of Iver Jåks and the Question of Sámi Aesthetics”, in Svein Aamold et.al. Sámi Art and Aesthetics Contemporary Perspectives.

Kreuger, Anders. 2018. “Britta Marakatt-Labba: ‘Images Are Always Stories’», Afterall 45,1.

Claudette Lauzon, The Unmaking of Home in Contemporary Art, Introduciton og kap. 1–3

Seminar med hverandrevurderinger, mappeoppgave 4. Oppsummeringer.