Timeplan 2021 Høst - lærer Svein Aamold - Professor

The Art of Art History, red. Preziosi, kap. 2:

• Donald Preziosi, Introduction
• Immanuel Kant: What is Enlightenment?
• G.W.F. Hegel: Philosophy of Fine Art
• D. N. Rodowick: Impure Mimesis, or the Ends of the Aesthetic
• Wilhelm Pietz: Fetish

Litteratur:

– Trygve Nergaard, «Mellomkrigstiden» (1983), de første 16 sidene, bl.a. om jubileumsutstillingen på Frogner, Kra. 1914

– Peter Anker, «Atten år etter eller historien om modernismens skjebnesvangre gjennombrudd i Norge» (1973)

Claire Bishop, Artificial Hells, ch. 1-2, 4-5

Claire Bishop, Artificial Hells, ch. 1-2, 4-5

Sámi Art and Aesthetics: Contemporary Perspectives, eds. Svein Aamold, Elin Haugdal and Ulla Angkjær Jørgensen, Aarhus: Aarhus University Press, 2017: Texts by Rognald Bergesen, Irene Snarby and Svein Aamold.

Sámi Art and Aesthetics: Contemporary Perspectives, eds. Svein Aamold, Elin Haugdal and Ulla Angkjær Jørgensen, Aarhus: Aarhus University Press, 2017: Texts by Rognald Bergesen, Tuija Hautala-Hirvioja, Charlotte Bydler, Gunvor Guttorm, Harald Gaski, Ulla Angkjær-Jørgensen and Monica Grini.

Aamold, Svein, “Landscape, Movement, Freedom: Agents for Synnøve Persen’s Painting”, Synnøve Persen, biegga savkala / vinden hvisker, published on the occasion of Persen’s retrospective anniversary exhibition at Porsáŋggu musea (Porsanger Museum), Leavdna/Lakselv, 2020, Kárášjohka/Karasjok: RiddoDuottarMuseat, 2020: 51–63 and illustrations pp. 7, 10, 19, 25–29, 32–33, 41, 45.

Gaski, Harald, “Nils-Aslak Valkeapää: Indigenous Voice and Multimedia Artist”, AlterNative: An International Journal of Indigenous Peoples, Vol. 4, No. 2, 2008: 155-178. DOI: 10.1177/117718010800400211.

Guttorm, Gunvor, “Stories Created in Stitches”, Afterall: A Journal of Art, Context and Enquiry, Vol. 45, No. 1, 2018: 18–23. ISSN 14654253. DOI: 10.1086/698390.

Hautala-Hirvioja, Tuija, “Expressionism In Sámi Art: John Savio's Woodcuts Of The 1920s And 1930s”, The Routledge Companion To Expressionism In A Transnational Context, 2018: 243–256 (chapter 12)

Heith, Anne, “Enacting Colonised Space: Katarina Pirak Sikku and Anders Sunna”, Nordisk Museologi, No. 2, 2015: 69–83. ISSN: 11038152. DOI: https://doi.org/10.5617/nm.3048

Kreuger, Anders, “Britta Marakatt-Labba: ‘Images Are Always Stories’”, Afterall: A Journal of Art, Context and Enquiry, Vol. 45, No. 1, 2018: 4–17. ISSN 14654253. DOI: 10.1086/698389.

Lundström, Jan-Erik, “Names and Places: The Cartographic Interventions of Hans Ragnar Mathisen,” Afterall, Vol. 44, No. 1, 2017: 104–111. DOI: 10.1086/695519.

Pollan, Brita, “A Stitching for Untold Stories: Britta Marakatt-Labba’s Embroidered Frieze”, Kunst til stede / Art in Place, ed. Torild Gjesvik, Unni Grøneng and Søren Ubisch, [Oslo]: Pax, 2008: 42-48. ISBN 978-82-530-3103-3.

Snarby, Irene, “A Conversation with Perisak Juuso”. Published 20 April 2020, http://www.norwegiancrafts.no/articles/a-conversation-with-perisak-juuso

Sørstrøm, Hilde, “Aslaug Juliussen: A Sense of Sustainability”. Interview, published 28 October 2019, http://www.norwegiancrafts.no/articles/aslaug-juliussen

Litteratur:

– Trygve Nergaard, «Mellomkrigstiden» (1983), de første 16 sidene, bl.a. om jubileumsutstillingen på Frogner, Kra. 1914

Flor, Harald, ”Arne Ekeland og Sovjetkunsten”, Kunst og Kultur 2, 2003, s. 124–137

- Hoff, Svein Olav, Pariserne: Henrik Sørensen, Jean Heiberg, Axel Revold, Per Krohg: malerier 1909-1927, Oslo: Press, 2018

- Kirkholt, Tore, «Kritikken av overflaten: Norske kunstkritikeres møte med det nonfigurative maleriet», Kunst og Kultur 4, 2002, s. 194–216

- Sjåstad, Øystein, «Christian Krohgs maleklatt: Tache som motiv i modernismen», Kunst og Kultur, årg. 92, nr. 3, 2009: 174–189

- Sørensen, Gunnar, «Oslos utsmykninger», Kunst og Kultur 1, 2010, s. 50–65

- Åsebø, Sigrun, “Women Pioneers of Abstraction in 1950s Norway: The Balancing Act of Aase Texmon Rygh, Inger Sitter, and Gudrun Kongelf”, Modern Women Artists in the Nordic Countries, 1900–1960, red. Kerry Greaves, New York: Routledge, 2021: 39–50

- Peter Anker, «Atten år etter eller historien om modernismens skjebnesvangre gjennombrudd i Norge» (1973)

- Markussen, Åse, «Konservatismens Høyborg: Billedhuggerklassen på Statens Kunstakademi i 70 år: Gunnar Utsond, Wilhelm Rasmussen og Per Palle Storm», Kunst og Kultur, årg 90, nr. 1, 2007: 27–45

- Mortensen, Mette, “A Borderline Case – Facial Politics in Kjartan Slettemark’s The Passport”, A Cultural History of the Avant-Garde in the Nordic Countries, 1950–1975, red. Tania Ørum, Jesper Olsson, Leiden & Boston: Brill Rodopi, 2016: 577–584

- Aamold, Svein, «Kunsten å tale tidens språk», Haukeland, utgitt i forbindelse med utstilling i Henie-Onstad Kunstsenter, Høvikodden: Henie-Onstad Kunstsenter, 1999: 13–36

The Art of Art History, red. Preziosi, kap. 7:

• Judith Butler, ”Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory”, s. 356–366, 540–541
• Amelia Jones, 2002, “ “Every Man Knows Where and How Beauty Gives Him Pleasure” Beauty and Discourse and the Logic of Aesthetics”, s. 375-390.
• Jennifer Doyle, 2006, “Queer Wallpaper”, s. 391-401.

The Art of Art History, red. Preziosi, kap. 8:

• Preziosi, «Introduction: Globalization and its Discontents”, s. 403-408.
• Timothy Mitchell, 1989, «Orientalism and the Exhibitionary Order”, s. 409-423.
• Carol Duncan, 1995, “The Art Museum as Ritual”, s. 424-434.
• Walter Benjamin, 1939, “The Work of Art in the Age of Its Technological Reproducibility”, s. 435-442.
• Satya P. Hohanty, 2002, “Can Our Values Be Objective?”, s. 443-454.

The Art of Art History, red. Preziosi, kap. 7:

• Judith Butler, ”Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory”, s. 356–366, 540–541
• Amelia Jones, 2002, “ “Every Man Knows Where and How Beauty Gives Him Pleasure” Beauty and Discourse and the Logic of Aesthetics”, s. 375-390.
• Jennifer Doyle, 2006, “Queer Wallpaper”, s. 391-401.

The Art of Art History, red. Preziosi, kap. 8:

• Preziosi, «Introduction: Globalization and its Discontents”, s. 403-408.
• Timothy Mitchell, 1989, «Orientalism and the Exhibitionary Order”, s. 409-423.
• Carol Duncan, 1995, “The Art Museum as Ritual”, s. 424-434.
• Walter Benjamin, 1939, “The Work of Art in the Age of Its Technological Reproducibility”, s. 435-442.
• Satya P. Hohanty, 2002, “Can Our Values Be Objective?”, s. 443-454.

- Kirkholt, Tore, «Kritikken av overflaten: Norske kunstkritikeres møte med det nonfigurative maleriet», Kunst og Kultur 4, 2002, s. 194–216

- Krohg, Morten, «Kunst – for hvem?», Brun, Hans-Jakob, et al., Kunst: For mennesket eller museet?, Oslo: Gyldendal, 1969, s. 28–51

- Mortensen, Mette, “A Borderline Case – Facial Politics in Kjartan Slettemark’s The Passport”, A Cultural History of the Avant-Garde in the Nordic Countries, 1950–1975, red. Tania Ørum, Jesper Olsson, Leiden & Boston: Brill Rodopi, 2016: 577–584

- Mørstad, Erik, «Bjørn Ransve, Kunsten som naturens ape – Liten vill ape», Kunst og kommentar, red. Svein Olav Hoff, Asker: Tell forlag, 1992, s. 102–107

- Pedersen, Hilde Marie, «Tidlig landart og konseptuell kunst i Norge ved Bård Breivik og Gerhard Stoltz», Kunst og Kultur 1, 2013, s. 26–35

- Sjåstad, Øystein, “Irma Salo Jæger: An Explorer in Form and Colour”, Irma Salo Jæger, red. Caroline Ugelstad, Høvikodden: Henie Onstad Kunstsenter, 2017, 73-96

Sámi Art and Aesthetics: Contemporary Perspectives, eds. Svein Aamold, Elin Haugdal and Ulla Angkjær Jørgensen, Aarhus: Aarhus University Press, 2017: Texts by Ingeborg Høvik, Charlotte Bydler, Gunvor Guttorm, Harald Gaski, Christian Spies and Ruth B. Phillips.

Fanon, Frantz, “On National Culture” (from The Wretched of the Earth, 1961, translated by Constance Farrington), Art in Theory 1900-2000: An Anthology of Changing Ideas, ed. Charles Harrison and Paul Wood, Malden, MA, et al.: Blackwell Publishing 2003: 710-715.

Kuokkanen, Rauna, «Indigenous Epistemes», A Companion to Critical and Cultural Theory, ed. Imre Szeman, Sarah Blacker, Justin Sully, Hoboken, NJ & Chichester, West Sussex, UK: Wiley-Blackwell, 2017: 313-326. Online ISBN:9781118472262. DOI:10.1002/9781118472262.

Wenzel, Jennifer, “Decolonization”, A Companion to Critical and Cultural Theory, ed. Imre Szeman, Sarah Blacker, Justin Sully, Hoboken, NJ & Chichester, West Sussex, UK: Wiley-Blackwell, 2017: 449–464. Online ISBN:9781118472262. DOI:10.1002/9781118472262.

Young, Robert J. C., “Postcolonial Remains?”, New Literary History, vol. 43, nr 1 (2012): 19-42.

Sámi Art and Aesthetics: Contemporary Perspectives, eds. Svein Aamold, Elin Haugdal and Ulla Angkjær Jørgensen, Aarhus: Aarhus University Press, 2017: Texts by Elin Haugdal, Charlotte Bydler, Harald Gaski, Christian Spies, Kirsten Thisted.

Haugdal, Elin, "’It's Meant to Decay’: Contemporary Sámi Architecture and the Rhetoric of Materials”, The Handbook of Contemporary Indigenous Architecture, editors Elizabeth Grant, Kelly Greenop, Albert L. Refiti, Daniel J. Glenn, Singapore: Springer, 2018: 805–829 (25 pages). DOI: 10.1007/978-981-10-6904-8.

Fanon, Frantz, “On National Culture” (from The Wretched of the Earth, 1961, translated by Constance Farrington), Art in Theory 1900-2000: An Anthology of Changing Ideas, ed. Charles Harrison and Paul Wood, Malden, MA, et al.: Blackwell Publishing 2003: 710-715.

Kuokkanen, Rauna, «Indigenous Epistemes», A Companion to Critical and Cultural Theory, ed. Imre Szeman, Sarah Blacker, Justin Sully, Hoboken, NJ & Chichester, West Sussex, UK: Wiley-Blackwell, 2017: 313-326. Online ISBN:9781118472262. DOI:10.1002/9781118472262.

Wenzel, Jennifer, “Decolonization”, A Companion to Critical and Cultural Theory, ed. Imre Szeman, Sarah Blacker, Justin Sully, Hoboken, NJ & Chichester, West Sussex, UK: Wiley-Blackwell, 2017: 449–464. Online ISBN:9781118472262. DOI:10.1002/9781118472262.

Young, Robert J. C., “Postcolonial Remains?”, New Literary History, vol. 43, nr 1 (2012): 19-42.

The Art of Art History, red. Preziosi, kap. 4:

• Donald Preziosi, ”Anthropology and/as Art History: Introduction”, s. 151–154, 519
• Alois Riegl, ”Leading Characteristics of the Late Roman Kunstwollen”, s. 155–161, 519–521
• Aby Warburg, ”Images from the Region of the Pueblo Indians of North America”, s. 162–188, 521–522
• Edgar Wind: Warburg's Concept of 'Kunstwissenschaft' and its Meaning for Aesthetics
• Claire Farago, ”Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History”, s. 195–212, 523–527

Art Journal, 76-2, 2017; and Kirsten Thisted

Art Journal, 76-2, 2017 and Salma Monani et al., “Indigenous Media…”, 2021

-Peter Anker, «Atten år etter eller historien om modernismens skjebnesvangre gjennombrudd i Norge» Kunsten idag, hefte 105–106, 1973, 77–97

-Harald Flor, ”Arne Ekeland og Sovjetkunsten”, Kunst og Kultur 2, 2003, s. 124–137

-Tore Kirkholt, «Kritikken av overflaten: Norske kunstkritikeres møte med det nonfigurative maleriet», Kunst og Kultur 4, 2002, s. 194–216

-Trygve Nergaard, «Mellomkrigstiden», Norges kunsthistorie, bind 6: Vårt eget århundre, red. Knut Berg, Oslo: Gyldendal 1983, 112–258, gjenutgitt i Norges malerkunst, bind 2, Oslo: Gyldendal, 1993: 55–199

-Sigrun Åsebø, “Women Pioneers of Abstraction in 1950s Norway: The Balancing Act of Aase Texmon Rygh, Inger Sitter, and Gudrun Kongelf”, Modern Women Artists in the Nordic Countries, 1900–1960, red. Kerry Greaves, New York: Routledge, 2021: 39–50

Oppmøte på museet, Sjøgata 1.

Sámi Art and Aesthetics, 2017, articles by Gunvor Guttorm and Svein Aamold. Nils Oskal "The Character of the Milk Bowl as a Separate World, and the World as a Multitudinous Totality of References" (2014). Gunvor Guttorm, "Stories Created in Stitches" (2018).

Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship, London og New York: Verso, 2012, kap. 7-10:

• Former West: Art as Project in the Early 1990s
• Delegated Performance: Outsorcing Autenticity
• Pedagogical Projects…
• Conclusion

- Brandtzæg, Kari J., “Morten Krohg and Art’s Oppositional Role”, A Cultural History of the Avant-Garde in the Nordic Countries, 1950–1975, red. Tania Ørum, Jesper Olsson, Leiden & Boston: Brill Rodopi, 2016: 153–163

- Krogvig, Ingvild, “Viggo Andersen’s Vigelandsinstallasjon – The History of a Forgotten Anti-Monument”, A Cultural History of the Avant-Garde in the Nordic Countries, 1950–1975, red. Tania Ørum, Jesper Olsson, Leiden & Boston: Brill Rodopi, 2016: 692–699

- Krogvig, Ingvild, “Linguistic Leakage In The Landscape: Early Land Art In Norway”, A Cultural History of the Avant-Garde in the Nordic Countries, 1950–1975, red. Tania Ørum, Jesper Olsson, Leiden & Boston: Brill Rodopi, 2016: 632–641

- Krohg, Morten, «Kunst – for hvem?», Brun, Hans-Jakob, et al., Kunst: For mennesket eller museet?, Oslo: Gyldendal, 1969, s. 28–51

- Mortensen, Mette, “A Borderline Case – Facial Politics in Kjartan Slettemark’s The Passport”, A Cultural History of the Avant-Garde in the Nordic Countries, 1950–1975, red. Tania Ørum, Jesper Olsson, Leiden & Boston: Brill Rodopi, 2016: 577–584

Pedersen, Hilde Marie, «Tidlig landart og konseptuell kunst i Norge ved Bård Breivik og Gerhard Stoltz», Kunst og Kultur 1, 2013, s. 26–35

- Aamold, Svein, «Lek, brudd og tilfeldigheter i skulpturen: Isern og Haukeland, Kleiva og Heyerdahl», Norsk avantgarde, red. Per Bäckström og Bodil Børset, Oslo: Novus Forlag, 2011: 143–158, 697–700

Monica Grini, "Contemporary Sámi Art in the Making of Sámi Art History", Sámi Art and Aesthetics, 2017. Gunvor Guttorm, "Storie Created In Stitches" (2018). Brita Pollan, "A Stitchingfor Untold Stories: Britta Marakatt-Labba's Embroidered Frieze" (2008).

Claudette Lauzon, The Unmaking of Home in Contemporary Art, kapitlene i pensum

Claudette Lauzon, The Unmaking of Home in Contemporary Art, kapitlene i pensum

Litteraturen om samtidskunst (Claudette Lauzon, 2017) og klima (antologien The Routledge Companion to Contemporary Art, Visual Culture and Climate Change (2021).

Litteratur: Alt i pensum om billedkunst (maleri, skulptur, aksjonisme, konseptkunst, land art, installasjoner, osv

Sámi Art and Aesthetics: Contemporary Perspectives, eds. Svein Aamold, Elin Haugdal and Ulla Angkjær Jørgensen, Aarhus: Aarhus University Press, 2017: Texts by Elin Haugdal and Monica Grini.

Grini, Monica, “Historiographical Reflections on Sámi Art and the Paradigm of the National in Norwegian Art History”, Sámi Stories: Art and Identity of an Arctic People, ed. Charis Gullickson and Sandra Lorentzen, Tromsø: Nordnorsk kunstmuseum, Stamsund: Orkana forlag, 2014: 48–67. ISBN 978-82-8104-238-4.

Grini, Monica, “Sámi (re)presentation in a differentiating museumscape: Revisiting the art-culture system”, Nordic Museology, Vol. 27, No. 3, 2019: 169–185. DOI: https://doi.org/10.5617/nm.7740

Haugdal, Elin, "’It's Meant to Decay’: Contemporary Sámi Architecture and the Rhetoric of Materials”, The Handbook of Contemporary Indigenous Architecture, editors Elizabeth Grant, Kelly Greenop, Albert L. Refiti, Daniel J. Glenn, Singapore: Springer, 2018: 805–829. DOI: 10.1007/978-981-10-6904-8.

The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, kapitlene i pensum.

Lauzon, Claudette, The Unmaking of Home in Contemporary Art, kapitlene i pensum

The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, kapitlene i pensum.

Lauzon, Claudette, The Unmaking of Home in Contemporary Art, kapitlene i pensum