Timeplan 2022 Høst - lærer Ingeborg Høvik - Førsteamanuensis

Litteratur: Eisenman et al., Nineteenth Century Art: A Cricial History, 4. utgave, London: Thames and Hudson, 2011: "Introduction" 

Michelle Facos, An Introduction to Nineteenth-Century Art, New York og London: Routledge, 2011: "Introduction", "Chapter 1: A Time of Transition"

Klassisisme og romantikk   
Litteratur: Eisenmann et al., Nineteenth Century Art: A Critical History, ”Classicism and Romanticism” kapittel 1–4. 

Michelle Facos, An Introduction to Nineteenth-Century Art, New York og London: Routledge, 2011: kapittel 4: Romanticism

Art Journal, Vol. 76, No. 2, 2017, texts in the reading list.

10.15 Svein Aamold: Johan Turi: Speaking back to the colonizers

11.15 Svein Aamold: Johan Turi: Speaking back to the colonizers

Readings

Aamold, Svein, "Indtroduction: Unstable Categories of Art and People" and "Representing the Hidden and the Perceptible", in Sámi Art and Aesthetics, 2017

12.00 lunch

12.45 – 13.30 Ingeborg Høvik: Photography. Sápmi. Archival material.

13.45-15.00 Ingeborg Høvik: Photography. Greenland. John Møller.

Readings

Høvik, Ingeborg. 2016. "Reproducing the indigenous: John Møller's studio portraits of Greenlanders in context", Acta Borealia.
From Sigrid Lien and Hilde W. Nielssen (eds.), Adjusting the Lens, 2021:
    Lehtola, Veli-Pekka. ““Our Histories” in the Photographs of Others: Sámi Approaches to Archival Visual
Materials». 
    Payne, Carol. «Disruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in
Nunavut»

Art Journal, Vol. 76, No. 2, 2017, texts in the reading list.

Monani, Salma et al., "Indigenous Media: Dialogic Resistance to Climate Disruption", The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, eds. Demos, T. J ; Scott, Emily Eliza ; Banerjee, Subhankar, 2021: 182–193.

Ingres, J.A.D. "Commentaries on Art,"; Betzer, Sarah. “Ingres's Shadows”: http://www.jstor.org/stable/43188796

Eisenmann, kap. 2. “Classicism in Crisis”.

Sámi Art and Aesthetics: Contemporary Perspectives (2017), chapters in the reading list.

Guttorm, Gunvor, «Stories created in stitches», Afterall 2018

Oskal, Nils, “The Character of the Milk Bowl as a Separate World, and the World as a Multitudinous Totality of References”, Sámi Stories: Art and Identity of an Arctic People, 2014

Pollan, Brita, “A Stitching for Untold Stories: Britta Marakatt-Labba’s Embroidered Frieze”, Kunst til stede / Art in Place, 2008

The Art of Art History, kap. 4–5

The Art of Art History, kap. 4–5

Brycchan Carey og Sara Salih, “Introduction” i Brycchan Carey, Markman Ellis and Sarah Salih, red., Discourses of Slavery and Abolition: Britain and Its Colonies 1660-1838, 2004: s. 1-8.; *Costello, Leo. “Turner’s Slave-ship: Towards a Dialectical History Painting,” i Brycchan Carey, Markman Ellis and Sarah Salih, red., Discourses of Slavery and Abolition: Britain and Its Colonies 1660-1838, 2004: s. 209-222.

The Art of Art History, kap. 5-6

The Art of Art History, kap. 7

Grini, Monica. 2014. Historical reflections on Sámi art and the paradigm of the National in Norwegian art history.

Grini, Monica. 2020. Sámi (re)presentation in a differentiating museumscape: Revisiting the art-culture system.

Løgstrup, Johanne. 2021. Museums as Contact or Conflict Zones.

Kuokkanen, Rauna. 2017. Indigenous Epistemes.

Wenzel, Jennifer. 2017. Decolonization.

Young, Robert J.C. 2012. Postcolonial Remains.

Høvik, Ingeborg. 2016. Reproducing the indigenous: John Møller's studio portraits of Greenlanders in context

The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, kapitlene i pensum.

Facos, Michelle. An Introduction to Nineteenth-century Art. “Ch. 7. New Audiences, New Approaches”, s. 166-194.

The Cambridge Companion to the Pre-Raphaelites, Cambridge University Press, 2012. «Ch. 2. «Artistic inspiration». s. 32-46; «Ch. 4. The Religious and intellectual background». s. 62-75

The Cambridge Companion to the Pre-Raphaelites, Cambridge University Press, 2012. «Ch. 2. «Artistic inspiration». s. 32-46; «Ch. 4. The Religious and intellectual background». s. 62-75; «Ch. 12 Elizabeth Eleanor Siddall (1829-1862)». s. 183-195; «Ch. 14. The Designs of William Morris». s. 211 - 222; «Ch. 15. Edward Burne-Jones (1833-1898)». s. 223-235.

Prgramme:

10:15–11:00. NB! Ingeborg Høvik, Visit in Árdna.

11:00–11:15. Intermission.

11:15–12:00. Rognald H. Bergesen, "Early conceptions of the Sámi"

12:00–12:45. Lunch

12:45–13:30. Rognald H. Bergesen, "Early conceptions of the Sámi"

13:30–13:45. Intermission.

13:45–15:00 with intermission: Svein Aamold, Summary of the course, with discussion and evaluation. Writing art history, a short guide. Concluding seminar.

Reading list:

Bergesen, Roghald H., 2017. "Hybrid Iconoclasm: Three Ways of Viewing the Sámi as the Other", Sámi Art and Aesthetics: Contemporary Perspectives, ed. Svein Aamold et al., 31–48.

Haugdal, Elin. 2018. “It’s Meant to Decay”: Contemporary Sámi Architecture and the Rhetoric of Materials»

Snarby, Irene. 2017. “The Sculpture of Iver Jåks and the Question of Sámi Aesthetics”, in Svein Aamold et.al. Sámi Art and Aesthetics Contemporary Perspectives.

Kreuger, Anders. 2018. “Britta Marakatt-Labba: ‘Images Are Always Stories’», Afterall 45,1.