Timeplan 2023 Høst - lærer Hege Olaussen - Universitetslektor

Jordanova, Ludmilla, The Look of the Past. Visual and Material Evidence in Historical Practice, kap. 1 ”Description and evidence”, s. 15-52

Verbalt. Visuellt. Materiellt. Om museernas dokumentation och insamling, "Fysisk miljö", s. 65-83, Stockholm : Nordiska museet, 1991

Johansson, Rolf, "Ett bra fall är ett steg framåt. Om fallstudier, historiska studier och historiska fallstudier", Nordisk Arkitekturforskning 13 (1-2) 2000, s. 65-71, 6 s. Tilgjengelig online: Ett bra fall är ett steg framåt. Om fallstudier, historiska studier och historiska fallstudier"

Litteratur: Laura Schneider Adams, kap. 1-3

Magne Malmanger, Barokkens verden, s. 7-25

Erwin Panofsky, “What is Baroque?”, s. 7-21

Johansson, Rolf, "Ett bra fall är ett steg framåt. Om fallstudier, historiska studier och historiska fallstudier", Nordisk Arkitekturforskning 13 (1-2) 2000, s. 65-71, 6 s. Tilgjengelig online: Ett bra fall är ett steg framåt. Om fallstudier, historiska studier och historiska fallstudier"

Fulsås, Narve, Universitetet i Tromsø 25 år, Universitetet i Tromsø 1993, kap. 15 "Ut i Breivika", s. 264-281, 17 s.

Ahnlund, Mats, Aamold, Svein, Arkitektur og kunstnerisk utsmykning ved Universitetet i Tromsø, 1993, 15 s.

Haugdal, Elin, "Campus Breivika", 25 s. i Hage, Ingebjørg m.fl. (red.), Hager mot nord - nytte og nytelse gjennom tre århundrer

Francis Haskell, "The Mechanisms of Seventeenth-Century Patronage"

Clare Robertson, "Federico Zuccari's Accademia del Disegno and the Carracci Accademia degli Incamminati : drawing in theory and practice"

Gail Feigelbaum, "Practice in the Carracci Academy"

Francis Haskell, "The Mechanisms of Seventeenth-Century Patronage"

Clare Robertson, "Federico Zuccari's Accademia del Disegno and the Carracci Accademia degli Incamminati : drawing in theory and practice"

Gail Feigelbaum, "Practice in the Carracci Academy"

Litteratur:

Jordanova, Ludmilla, The Look of the Past. Visual and Material Evidence in Historical Practice, kap. 3, ”Periodisation”, s. 96-157

Thomas Puttfarken, Caravaggio's Story of St. Mathew"

Laura Scneider Adams, kapittel 3

Tanja Jones, Introduction: Women Artists in the Early Modern Courts of Europe

Christina Strunck, Female Court Artists: Women’s Career Strategies in the Courts of the Early Modern Period

Cecilia Gamberini, Sofonisba Anguissola, a Painter and a Lady-in-Waiting

Babette Bohn, From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe

Tanja Jones, Introduction: Women Artists in the Early Modern Courts of Europe

Christina Strunck, Female Court Artists: Women’s Career Strategies in the Courts of the Early Modern Period

Cecilia Gamberini, Sofonisba Anguissola, a Painter and a Lady-in-Waiting

Babette Bohn, From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe

Litteratur:

Jordanova, Ludmilla, The Look of the Past. Visual and Material Evidence in Historical Practice, kap. 5, ”Comparative Analysis”, s. 207-34

Judith Testa, Rome is Love Spelled Backward, s.77-129

Christopher Hibbert, Rome. The Biography of A City, s.64-125

Michelle Lang, Neo-Baroque and Baroque: Situating Lucian Freud between Rubens and Rembrandt

Judith Testa, Rome is Love Spelled Backward, s.205-248

Christopher Hibbert, Rome. The Biography of A City, s.179-226