Timeplan 2023 Høst - lærer Svein Aamold - Professor

Oppgave: Som nevnt i dagens orienteringsmøte ber jeg deg velge to verk fra ulike sjangre du vil knytte til begrepet barokk. Ordet sjanger viser her til arkitektur, byplanlegging, grafikk, kunsthåndverk, maleri, skulptur, tegning (evt. andre). De to verkene du velger kan være hentet fra den historiske barokken (1600- og første halvdel av 1700-tallet) eller nyere tids kunst som aktualiserer begrepet barokk.

Tips: Bruk gjerne Laurie Schneider Adams’ Key Monuments of the Baroque hvis du ønsker tips om den historiske barokken, eller andre deler av pensum om du søker ut over dette.

Øvrig litteratur, bl.a.:

- Erwin Panofsky, "What is Baroque?"

Mithlo, Nancy Marie. 2012. “No Word for Art in Our Language? Old Questions, New Paradigms”, Wicazo sa review, 27, 1, pp. 111–126 (16 pages). DOI: 10.5749/wicazosareview.27.1.0111

Claire Bishop, Artificial Hells, kap. 1-5

Claire Bishop, Artificial Hells, kap. 1-5

Aamold, Svein. 2017. “Representing the Hidden and the Perceptible: Johan Turi’s Images of Sápmi”, Sámi Art and Aesthetics: Contemporary Perspectives

Grini, Monica. 2017. “Contemporary Sámi Art in the Making of Sámi Art History: The Work of Geir Tore Holm, Outi Pieski and Lena Stenberg”, Sámi Art and Aesthetics: Contemporary Perspectives,

Guttorm, Gunvor. 2017. “The Power of Natural Materials and Environments in Contemporary Duodji”, Sámi Art and Aesthetics: Contemporary Perspectives

Guttorm; Gunvor. 2018. “Stories Created in Stitches”, Afterall: A Journal of Art, Context and Enquiry

Oskal, Nils. 2014. “The Character of the Milk Bowl as a Separate World, and the World as a Multitudinous Totality of References”, Sámi Stories: Art and Identity of an Arctic People.

Pollan, Brita. 2008. “A Stitching for Untold Stories: Britta Marakatt-Labba’s Embroidered Frieze”, Kunst til stede / Art in Place

Snarby Irene. 2017. “The Sculpture of Iver Jåks and the Question of Sámi Aesthetics”, Sámi Art and Aesthetics: Contemporary Perspectives

Claire Bishop, Artificial Hells, kap. 6–10

Litteratur:

– Marcus B. Burke, «Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 1550-1700», A Companion to Renaissance and Baroque Art, kap. 23

- Catherine Hall-van den Elsen, «Life at Court: Luisa Roldán in Madrid 1689–1706», Women Artists in the Early Modern Courts of Europe (c. 1450–1700)

Ash-Milby, Kathleen & Ruth B. Phillips. 2017. “Inclusivity or Sovereignty Native American Arts in The Gallery and The Museum Since”, 1992, Art Journal

Hopkins, Candice. 2017. “We Are Always Turning Around on Purpose: Reflecting on Three Decades of Indigenous Curatorial Practice”, Art Journal

Horton, Jessica L. 2017. “Indigenous Artists against the Anthropocene”, Art Journal

Igloliorte, Heather. 2017. “Curating Inuit Qaujimajatuqangit: Inuit Knowledge in the Qallunaat Art Museum”, Art Journal, 76,2

Morris, Kate. 2017. “Crash, “Specters of Colonialism in Contemporary Indigenous Art”, Art Journal

Racette, Sherry Farrell. 2017. “Tuft Life: Stitching Sovereignty in Contemporary Indigenous Art”, Art Journal

Rickard Jolene. 2017. “Diversifying Sovereignty and the Reception of Indigenous Art”, Art Journal

The Art of Art History, kap. 1–3

Litteratur:

- Laura Schneider Adams, kap. 4

- Simon Altmann, “The Illusion of Mirrors: Velázquez's Las Meninas”

- Michel Foucault, “Las Meninas”, Tingenes orden

- Leo Steinberg, “Velázquez’ ’Las Meninas’”

- Zara Veliz, “Signs of Identity in 'Lady with a Fan' by DiegoVelázquez: Costume and Likeness Reconsidered”

Mithlo, Nancy Marie. 2012. “No Word for Art in Our Language? Old Questions, New Paradigms”, Wicazo sa review

Monani, Salma, Renata Ryan Burchfield, Danika Medak-Saltzman, and William Lempert. 2021. “Indigenous Media: Dialogic Resistance to Climate Disruption”, The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change  

Thisted, Kristen. 2017. “Blubber Poetics: Emotional Economies and Post-Postcolonial Identities in Contemporary Greenlandic Literature and Art”, Sámi Art and Aesthetics: Contemporary Perspectives

See also the reading list for Monday, 4 September

The Art of Art History, kap. 4–5

Litteratur:

- Laura Schneider Adams, kap. 4

- Simon Altmann, “The Illusion of Mirrors: Velázquez's Las Meninas”

- Michel Foucault, “Las Meninas”, Tingenes orden

- Leo Steinberg, “Velázquez’ ’Las Meninas’”

- Zara Veliz, “Signs of Identity in 'Lady with a Fan' by DiegoVelázquez: Costume and Likeness Reconsidered”

The Art of Art History, kap. 7–8

- Laura Schneider Adams, kap. 5

- Galletti, Sara, “Rubens’s Life of Maria de’ Medici: Dissimulation and the Politics of Art in Early Seventeenth-Century France”

- Wayne Franits, «Genre Painting in SeventeenthCentury Europe», A Companion to Renaissance and Baroque Art, kap. 20

Litteratur:

- Rebecca Parker Brienen, «Cannibalizing America From the Ethnographic Impulse to the Ethnographic Portrait», Visions of Savage Paradise: Albert Eckhout, Court Painter in Colonial Dutch Brazil, kap. 3

- Mårten Snickare, Colonial Objects in Early Modern Sweden and Beyond: From the Kunstkammer to the Current Museum Crisis, kap. 1 og 3

Claudette Lauzon, The Unmaking of Home in Contemporary Art, Introduciton og kap. 1–3

Claudette Lauzon, The Unmaking of Home in Contemporary Art, Introduciton og kap. 1–3

Claudette Lauzon, The Unmaking of Home in Contemporary Art, Introduciton og kap. 1–3

The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, kapitlene i pensum.

Litteratur:

- Robert J. Miles, “If It’s Baroque, Don’t Fix It: Picasso's Exilic Resurrection of Velázquez and the (Ab)use of Las Meninas”

- Simon Altmann, “The Illusion of Mirrors: Velázquez's Las Meninas”

- relevant museers nettsider

In this final seminar, we will focus briefly on the central topics of the lectures and discussions, talk about the school exam, and, importantly, invite all of you to evaluate the course. Please prepare questions you may have for this in advance. As you know, participation in our round table discussion is a coursework requirement. Please inform us in advance if you are unable to attend.