Timeplan 2022 Høst - lærer Ingeborg Høvik - Førsteamanuensis
Ingeborg Høvik
Orienteringsmøte BA Kunst
Orienteringsmøte for master i kunsthistorie
Sámi and Indigenous art, an introduction.
Mithlo, Nancy. «No Word for Art in Our Language?: Old Questions, New Paradigms»: https://nancymariemithlo.com/images/category/61-27.1.mithlo01-1.pdf
Art Journal, Vol. 76, No. 2, 2017.
Sherry Farrell Racette, «Tuft Life»
Sámi Art and Aesthetics: Contemporary Perspectives
Gunvor Guttorm, "The Power of Natural Materials and Environments in Contemporary Duodji".
Monica Grini, "Contemporary Sámi Art in the Making of Sámi Art History".
Hva er historisme? Historisme i en europeisk kontekst.
Litteratur: Eisenman et al., Nineteenth Century Art: A Cricial History, 4. utgave, London: Thames and Hudson, 2011: "Introduction"
Michelle Facos, An Introduction to Nineteenth-Century Art, New York og London: Routledge, 2011: "Introduction", "Chapter 1: A Time of Transition"
Klassisisme
Litteratur: Eisenmann et al., Nineteenth Century Art: A Critical History, kapittel 1–3.
Michelle Facos, An Introduction to Nineteenth-Century Art, New York og London: Routledge, 2011: "Chapter 2: Classical Infuences"
Klassisisme og romantikk
Klassisisme og romantikk
Litteratur: Eisenmann et al., Nineteenth Century Art: A Critical History, ”Classicism and Romanticism” kapittel 1–4.
Michelle Facos, An Introduction to Nineteenth-Century Art, New York og London: Routledge, 2011: kapittel 4: Romanticism
Klassisisme og romantikk
Klassisisme og romantikk – 3: J.A.D. Ingres
Facos, “Classical Influences and Radical Transformations”; *Ingres, J.A.D.
"Commentaries on Art,"; Betzer, Sarah. “Ingres's Shadows”: http://www.jstor.org/stable/43188796
Indigenous art, self-determination, curatorial practices, the Anthropocene
Art Journal, Vol. 76, No. 2, 2017, texts in the reading list.
Ingen undervisning
KVI-2517 Sámi Art – First session, day 2
10.15 Svein Aamold: Johan Turi: Speaking back to the colonizers
11.15 Svein Aamold: Johan Turi: Speaking back to the colonizers
Readings
Aamold, Svein, "Indtroduction: Unstable Categories of Art and People" and "Representing the Hidden and the Perceptible", in Sámi Art and Aesthetics, 2017
12.00 lunch
12.45 – 13.30 Ingeborg Høvik: Photography. Sápmi. Archival material.
13.45-15.00 Ingeborg Høvik: Photography. Greenland. John Møller.
Readings
Høvik, Ingeborg. 2016. "Reproducing the indigenous: John Møller's studio portraits of Greenlanders in context", Acta Borealia.
From Sigrid Lien and Hilde W. Nielssen (eds.), Adjusting the Lens, 2021:
Lehtola, Veli-Pekka. ““Our Histories” in the Photographs of Others: Sámi Approaches to Archival Visual
Materials».
Payne, Carol. «Disruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in
Nunavut»
Indigenous art, self-determination, curatorial practices, the Anthropocene
Art Journal, Vol. 76, No. 2, 2017, texts in the reading list.
Monani, Salma et al., "Indigenous Media: Dialogic Resistance to Climate Disruption", The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, eds. Demos, T. J ; Scott, Emily Eliza ; Banerjee, Subhankar, 2021: 182–193.
Historisme i klassisisme. Romantikk.
Ingres, J.A.D. "Commentaries on Art,"; Betzer, Sarah. “Ingres's Shadows”: http://www.jstor.org/stable/43188796
Eisenmann, kap. 2. “Classicism in Crisis”.
Romantikk
Facos, Michelle. An Introduction to Nineteenth-century Art. “CH. 4 Romanticism”, “Ch. 5: Shifting Focus: Art and the Natural World”; Eisenmann, Nineteenth-century Art a Critical History. “Ch “Ch. 5 Nature Historicized: Constable, Turner, and Romantic Landscape Painting”, 115-143; “Ch. 6 Landscape Art and Romantic Nationalism in Germany and America”, 149-168.
Sámi Art
Sámi Art and Aesthetics: Contemporary Perspectives (2017), chapters in the reading list.
Guttorm, Gunvor, «Stories created in stitches», Afterall 2018
Oskal, Nils, “The Character of the Milk Bowl as a Separate World, and the World as a Multitudinous Totality of References”, Sámi Stories: Art and Identity of an Arctic People, 2014
Pollan, Brita, “A Stitching for Untold Stories: Britta Marakatt-Labba’s Embroidered Frieze”, Kunst til stede / Art in Place, 2008
Antropologi og mening
The Art of Art History, kap. 4–5
Antropologi og mening
The Art of Art History, kap. 4–5
Historie og samtid i landskapsmaleri
Brycchan Carey og Sara Salih, “Introduction” i Brycchan Carey, Markman Ellis and Sarah Salih, red., Discourses of Slavery and Abolition: Britain and Its Colonies 1660-1838, 2004: s. 1-8.; *Costello, Leo. “Turner’s Slave-ship: Towards a Dialectical History Painting,” i Brycchan Carey, Markman Ellis and Sarah Salih, red., Discourses of Slavery and Abolition: Britain and Its Colonies 1660-1838, 2004: s. 209-222.
Eisenmann, Stephen, et al., Nineteenth Century Art: A Critical History. “New World Frontiers”, kap. 6-7.
Facos, kap. 3 “Re-presenting Contemporary History”
Truettner, William H. «Picturing the Murder of Jane McCrea: A Critical Moment in Transatlantic Romanticism”
Facos, Michelle. An Introduction to Nineteenth-century Art. “Ch. 6: Colonialism, Imperialism, Orientalism”
Meningsmekanismer. Dekonstruksjon og tolkningens begrensninger
The Art of Art History, kap. 5-6
Forfatterskap og identitet
The Art of Art History, kap. 7
10.15-12.00 Art history and photography on Greenland; John Møller (1867-1935). 12.45-13.45 Sámi art, curating and the art museum. 14.15-16.00 Film: The Kautokeino Uprising (Kautokeino opprøret)
Grini, Monica. 2014. Historical reflections on Sámi art and the paradigm of the National in Norwegian art history.
Grini, Monica. 2020. Sámi (re)presentation in a differentiating museumscape: Revisiting the art-culture system.
Løgstrup, Johanne. 2021. Museums as Contact or Conflict Zones.
Kuokkanen, Rauna. 2017. Indigenous Epistemes.
Wenzel, Jennifer. 2017. Decolonization.
Young, Robert J.C. 2012. Postcolonial Remains.
Høvik, Ingeborg. 2016. Reproducing the indigenous: John Møller's studio portraits of Greenlanders in context
Samtidskunst og klima – 1
The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, kapitlene i pensum.
Historisme og prerafaelittene
Facos, Michelle. An Introduction to Nineteenth-century Art. “Ch. 7. New Audiences, New Approaches”, s. 166-194.
The Cambridge Companion to the Pre-Raphaelites, Cambridge University Press, 2012. «Ch. 2. «Artistic inspiration». s. 32-46; «Ch. 4. The Religious and intellectual background». s. 62-75
Historisme og prerafaelittene
The Cambridge Companion to the Pre-Raphaelites, Cambridge University Press, 2012. «Ch. 2. «Artistic inspiration». s. 32-46; «Ch. 4. The Religious and intellectual background». s. 62-75; «Ch. 12 Elizabeth Eleanor Siddall (1829-1862)». s. 183-195; «Ch. 14. The Designs of William Morris». s. 211 - 222; «Ch. 15. Edward Burne-Jones (1833-1898)». s. 223-235.
ARBEIDSKRAV
ARBEIDSKRAV
Round table discussion, Árdna
Early conceptions of the Sámi
Prgramme:
10:15–11:00. NB! Ingeborg Høvik, Visit in Árdna.
11:00–11:15. Intermission.
11:15–12:00. Rognald H. Bergesen, "Early conceptions of the Sámi"
12:00–12:45. Lunch
12:45–13:30. Rognald H. Bergesen, "Early conceptions of the Sámi"
13:30–13:45. Intermission.
13:45–15:00 with intermission: Svein Aamold, Summary of the course, with discussion and evaluation. Writing art history, a short guide. Concluding seminar.
Reading list:
Bergesen, Roghald H., 2017. "Hybrid Iconoclasm: Three Ways of Viewing the Sámi as the Other", Sámi Art and Aesthetics: Contemporary Perspectives, ed. Svein Aamold et al., 31–48.
Haugdal, Elin. 2018. “It’s Meant to Decay”: Contemporary Sámi Architecture and the Rhetoric of Materials»
Snarby, Irene. 2017. “The Sculpture of Iver Jåks and the Question of Sámi Aesthetics”, in Svein Aamold et.al. Sámi Art and Aesthetics Contemporary Perspectives.
Kreuger, Anders. 2018. “Britta Marakatt-Labba: ‘Images Are Always Stories’», Afterall 45,1.