Timeplan 2024 Høst - lærer Ingeborg Høvik - Førsteamanuensis

Literature

Guttorm, Gunvor, 2017. “The Power of Natural Materials and Environments in Contemporary Duodji”, in Sámi Art and Aesthetics: Contemporary Perspectives edited by Svein Aamold, Elin Haugdal and Ulla A. Jørgensen, Aarhus University Press. pp. 163–177 (15 pages). URL:  https://ebookcentral.proquest.com/lib/tromsoub-ebooks/detail.action?docID=5391725.

Snarby Irene. 2017. “The Sculpture of Iver Jåks and the Question of Sámi Aesthetics”, in Sámi Art and Aesthetics: Contemporary Perspectives edited by Svein Aamold, Elin Haugdal and Ulla A. Jørgensen, Aarhus University Press. pp. 121–137 (17 pages). URL:  https://ebookcentral.proquest.com/lib/tromsoub-ebooks/detail.action?docID=5391725

Aamold, Svein. 2023. “Johan Turi’s Ecology”. Interventions, 25(7), pp. 878–901. (24 pages) DOI: 10.1080/1369801X.2023.2169625

Guttorm, Gunvor, «Stories created in stitches», Afterall 2018; Volum 45. pp. 18-23 (6 pages),URL: https://www.journals.uchicago.edu/doi/full/10.1086/698390

Racette, Sherry Farrell, “Tuft Life: Stitching Sovereignty in Contemporary Indigenous Art”, Art Journal 76(2), pp.  114–123 (10 pages). DOI: 10.1080/00043249.2017.1367198. URL: https://doi.org/10.1080/00043249.2017.1367198

Harald Gaski and Gunvor Guttorm (eds.). 2022. Duodji Reader: A selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. Two texts by Lars Pirak and Irene Snarby (10 pages total), see pdf in Canvas / Reading list.

Resources

5 x articles by Svein Aamold on Johan Turi and his art, in Visualizing Arctic Voices edited by Ingeborg Høvik, Center for Northern Peoples, 2024. (5 pages)
https://www.arcticvoices.space/exhibition-catalogue-english

Svein Aamold et al. 2017. Sámi Art and Aesthetics: Contemporary Perspectives, Aarhus University Press.
https://ebookcentral.proquest.com/lib/tromsoub-ebooks/detail.action?docID=5391725

See schedule in Canvas for full programme!

Literature

Svein Aamold, «Unstable Categories of Art and People», Sámi Art and Aesthetics…(2017): 13-27.

Monica Grini, «Historiographical Reflections on Sámi Art and the Paradigm of the National in Norwegian Art History», Sámi Stories…(2014): 48-67.

Monica Grini, "Sámi (re)presentation in a differentiating museumscape: Revisiting the art-culture system", Nordisk Museologi (2020): 169-185.

Literature, Theory

Robert J.C. Young, “Postcolonial Remains?”, New Literary History (2012): 19-42.

Franz Fanon, "On National Culture", Art in Theory: 1900-2000 (2003): 710-715. 

Jennifer Wenzel, "Decolonization", A Companion to Critical and Cultural Theory (2017): 449-464.

Rauna Kuokkanen, "Indigenous Epistemes", A Companion to Critical and Cultural Theory (2017): 313-326.

Harald Gaski and Gunvor Guttorm, "The Significance of Writings about Duodji for a Sámi Understanding of Duodji and of Life", in Duodji Reader (2022): 8-19

Gunvor Guttorm, “The Power of Natural Materials and Environments”, in Sámi Art and Aesthetics: Contemporary Perspectives (2017): 163-177

Gunvor Guttorm, " Stories Created in Stitches", Afterall (2018): 18-23.

Nils Oskal, «The Character of the Milk Bowl as Separate World, and the World as a Multitudinous Totality of References»

Rauna Triumf, “Small stories: A guide to learning and teaching Sámi arts and crafts”, Indigenous Research: World Indigenous Nations Higher Education Consortium: Journal 2011 (2010): 77-86

Recommended literature

Art in Place: the Teorifagbygget art collection at the University of Tromsø. Edited by Torild Gjesvik, Unni Grøneng, Søren Ubisch.

Literature 

Bergesen, Rognald H. (2016). “Lapponia and the Drum, Instruments of Integration and the Construction of the Other during the Confessionalisation of Northern Sweden”. In: Berg, S.H., Bergesen, R. H. & Kristiansen, R. E. (eds.). The Protracted 

Reformation in Northern Norway Vol. 2: Towards a Protestant North, TROLL 14. 

Håkan Rydving, «The Saami drums and the religious encounter in the 17th and 18th centuries», Scripta Instituti Donneriani Aboensis, 01 January 1991, Vol.14, pp.28-51 (pdf in Canvas) 

Literature

Payne, Carol with contributions by Beth Greenhorn, Piita Irniq, Manitok Tompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson, "Disruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut", in Adjusting the Lens : Indigenous Activism, Colonial Legacies, and Photographic Heritage, edited by Sigrid Lien, and Hilde Wallem Nielssen, University of British Columbia Press, 2021. pp. 125-142 (18 pages). URL:  http://ebookcentral.proquest.com/lib/tromsoub-ebooks/detail.action?docID=6801668.

Lehtola, Veli-Pekka. "'Our Histories' in the Photographs of Others: Sámi Approaches to Archival Visual Materials". in Adjusting the Lens : Indigenous Activism, Colonial Legacies, and Photographic Heritage, edited by Sigrid Lien, and Hilde Wallem Nielssen, University of British Columbia Press, 2021. pp. 143-166 (24 pages)URL: http://ebookcentral.proquest.com/lib/tromsoub-ebooks/detail.action?docID=6801668.

Hulan, Renée. 2023. “Alnayah’s People: Archival Photographs from West Greenland, 1908-1909”. Interventions, 25(8), pp. 1088–1109. (22 pages)
DOI: 10.1080/1369801X.2023.2169621      

Per Asle Sara, "Death Means Nothing For the Colours", in Visualizing Arctic Voices, edited by Ingeborg Høvik. Center for Northern Peoples, 2024. (1 page)
https://www.arcticvoices.space/26per-asle_

Resources 

Valkeapää, Nils-Aslak. The Sun My Father, https://www.nb.no/items/URN:NBN:no-nb_digibok_2010062908025?page=5

Williams, Maria Shaa Tláa. 2023. “Through the Colonial Lens: Images of Alaska Native Peoples in the Eighteenth and Nineteenth Centuries”. Interventions, 25(8), pp. 1073–1087. (15 pages) DOI: 10.1080/1369801X.2023.2190908       

Literature

Haakanson, Sven. "A View in Prince William Sound (Sandwich Sound), Alaska, with Indians in canoes appearing to address men in Cook’s Ships / Youth from Akhiok Kids Camp paddling full-sized angyaaq", in Visualizing Arctic Voices, edited by Ingeborg Høvik. Center for Northern Peoples, 2024.
https://www.arcticvoices.space/new-page-37

McGowan Jérémie and Anne May Olli. 2022. "Sámi Dáiddamusea Is Not a Metaphor", Visualizing Genocide: Indigenous Interventions in Art, Archives, and Museums, edited by Yve Chavez and Nancy Marie Mithlo, University of Arizona Press. pp. 57-88. (32 pages). 
https://ebookcentral-proquest-com.mime.uit.no/lib/tromsoub-ebooks/detail.action?docID=30175519

Igloliorte, Heather, “Curating Inuit Qaujimajatuqangit: Inuit Knowledge in the Qallunaat Art Museum”, Art Journal, 76(2), pp. 100–113 (14 pages). DOI: 10.1080/00043249.2017.1367196. URL: https://doi.org/10.1080/00043249.2017.1367196

Gullickson, Charis. 2023. “Decolonizing the Museum: Unhighlighting Nordnorsk Kunstmuseum’s Iconic Laestadius Teaching Laplanders (1840)”. Interventions, 25(8), pp. 1110–1133. (24 Pages) DOI: 10.1080/1369801X.2022.2161063

Harlin, Eeva-Kristiina and Outi Pieski. 2021. "The Legacy of Ládjogahpir: Rematriating Sápmi with Foremother’s Hat of Pride", Dressing with Purpose: Belonging and Resistance in Scandinavia, edited by Carrie Hertz, Indiana University Press, chapter 7, pp. 202-210. (8 pages). URL:  https://ebookcentral-proquest-com.mime.uit.no/lib/tromsoub-ebooks/detail.action?docID=6708466

Høvik, Ingeborg. "Laponne Nomade Karasuvando", in Visualizing Arctic Voices, edited by Ingeborg Høvik. Center for Northern Peoples, 2024. (1 page)
https://www.arcticvoices.space/63e_ingeborg_laponne

Resources

Herz, Carrie. 2021. "Sámi Gákti", Dressing with Purpose: Belonging and Resistance in Scandinavia, edited by Carrie Hertz, Indiana University Press, chapter 6,  pp. 157-201. (45 pages). 

Victoria Charles, Neoclassicism.

J. J. Winckelmann, «Reflections on the Imitation of Greek Works in Painting and Sculpture”.

See schedule in Canvas for full programme!

 

Literature, Visual representations of Sámi in the sixteenth- and seventeenth century West (Rognald Bergesen)

Rognald H. Bergesen, «Hybrid Iconoclasm: Three Ways of Viewing the Sámi as the Other», Sámi Art and Aesthetics: Contemporary Perspectives, edited by Svein Aamold et.al. (2017). 

Literature to lecture on Art, duodji and aesthetic revitalization (Ingeborg Høvik)

Harlin, Eeva-Kristiina and Outi Pieski, "The Legacy of Ládjogahpir: Rematriating Sápmi with Foremother’s Hat of Pride", in Dressing with Purpose: Belonging and Resistance in Scandinavia (2021): 202-210.

Tuija Hautala-Hirvioja, "Traditional Sámi Culture and the Colonial Past as the Basis for Sámi Contemporary Art", Sami Art and Aesthetics (2017): 99-120
See also the reading from Ingeborg's lecture "What is Sámi art and craft?" on 30 August

Reading for guest lecture on John Savio, by Lena Gudd: 
Hautala-Hirvioja, Tuija. “Expressionism in Sámi Art: John Savio’s Woodcuts of the 1920s and 1930s», The Routledge Companion to Expressionism in a Transnational Context.

J. J. Winckelmann, «Reflections on the Imitation of Greek Works in Painting and Sculpture”.

Coltman, Viccy. “‘The lecture on Venus's arse': Richard Cosway's Charles Townley with a Group of Connoisseurs, c. 1771-5”. The Culture of Collecting in Britain since 1760, Oxford University Press, 2009. s. 159-190 (31 sider)

http://ebookcentral.proquest.com/lib/tromsoub-ebooks/detail.action?docID=746672

NB: UKE 40 DIGITAL PRØVE I CANVAS (obligatorisk arbeidskrav)

Les: Preziosi (red.), The Art of Art History, kap. 7–8

Reynolds, Joshua. "Discourse IV", s. 57-77, Discourses of Art, red. Robert R. Wark, New Haven og London, 1997 (20 sider)

Harriet Guest, «Curiously Marked: Tatooing, Masculinity and Nationality in 18th Century British Perceptions of the South Pacific”

Coltman, Viccy. “Henry Raeburn's Portraits of Distant Sons in the Global British Empire»

The Art Bulletin, 01 juni 2013, Vol.95(2), s.294-311. (17 sider)
 

Anbefalt/tilleggslitteratur: Coltman, Viccy. Sojourning Scots and the Portrait Miniature in Colonial India, 1770s‐1780s

Journal for Eighteenth‐Century Studies, September 2017, Vol.40(3), s.421-441)

Les: Preziosi (red.), The Art of Art History, kap. 7–8

J.A.D. Ingres, “Commentaries on Art”.

Betzer, Sarah. «Ingres's Shadows», The Art Bulletin, Vol. 95, Nr. 1 (mars 2013), s. 78-101. (24 sider).

Les: Preziosi (red.), The Art of Art History, kap. 7–8

Oppgaver legges i Canvas!

Coltman, Viccy. 2016. "The Aesthetics of Colonialism: George Chinnerey's Portrait of Gilbert Elliot, 1st Earl of Minto, 1812", Visual Culture in Britain, 17(2): 137-162 (25 s.).

J.A.D. Ingres, “Commentaries on Art”.

Betzer, Sarah. «Ingres's Shadows», The Art Bulletin, Vol. 95, Nr. 1 (mars 2013), s. 78-101. (24 sider).

Les: Claudette Lauzon, The Unmaking of Home in Contemporary Art, Introduciton og kap. 1–3

Our discussion will be in a meeting room at the Centre for Sámi Studies, TEO H2, room 2.228. 

See schedule in Canvas for full programme!

Literature to lecture on Taking home stolen photographs (Ingeborg Høvik)

Veli-Pekka Lehtola, "“Our Histories” in the Photographs of Others: Sámi Approaches to Archival Visual Materials", in Adjusting the Lens : Indigenous Activism, Colonial Legacies, and Photographic Heritage (2021): 143-166. 

Carol Payne, " Disruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut", in Adjusting the Lens : Indigenous Activism, Colonial Legacies, and Photographic Heritage (2021): 125-142. 

Harald Gaski, "Nils-Aslak Valkeapää: Indigenous Voice and Multimedia Artist", in AlterNative (2008-2009): 155-178. 

Ingeborg Høvik, "Reproducing the Indigenous: John Møller's studio portraits of Greenlanders in context", Acta Borealia (2016): 166-188. 

When: Thursday 31 October from 16:30-18:30
Where: the cinema on campus, TEO 6.222 (Teorifagbygget house 6: Room 6.222, kino)