Timeplan 2024 Høst - lærer Rognald Heiseldal Bergesen - Universitetslektor

Jordanova, Ludmilla, The Look of the Past. Visual and Material Evidence in Historical Practice, kap. 1 , ”Description and evidence”, s. 15-52

SE UNDERVISNINGSPLAN I I CANVAS PÅ MODULER UNDER OVERSKRIFTEN POWERPOINTER

Litteratur:

Jordanova, Ludmilla, The Look of the Past. Visual and Material Evidence in Historical Practice, kap. 3, ”Periodisation”, s. 96-157

Les: Claire Bishop, Artificial Hells, kap. 1-2

Claire Bishop, Artificial Hells, kap. 1-3

Ahnlund, Mats, Aamold, Svein, Arkitektur og kunstnerisk utsmykning ved Universitetet i Tromsø, 1993, 15 s.

Haugdal, Elin, "Campus Breivika", 25 s. i Hage, Ingebjørg m.fl. (red.), Hager mot nord - nytte og nytelse gjennom tre århundrer

Les: Claire Bishop, Artificial Hells, kap. XX

Literature 

Bergesen, Rognald H. (2016). “Lapponia and the Drum, Instruments of Integration and the Construction of the Other during the Confessionalisation of Northern Sweden”. In: Berg, S.H., Bergesen, R. H. & Kristiansen, R. E. (eds.). The Protracted 

Reformation in Northern Norway Vol. 2: Towards a Protestant North, TROLL 14. 

Håkan Rydving, «The Saami drums and the religious encounter in the 17th and 18th centuries», Scripta Instituti Donneriani Aboensis, 01 January 1991, Vol.14, pp.28-51 (pdf in Canvas) 

Forberedelse: se film om Giottos Artenakapell: Lenke ligger i Canvas under Moduler

Les: Preziosi (red.), The Art of Art History, kap. 1 (Patterns of Intention) + kap. 5

Litteratur: Charles, Neoclassisism, ss. (7-17)

Litteratur: Strandgaard, Ole. "Museumsudstillingen - nogle forsøg på klasifikation av udstillinger". I Nordisk Museologi 2004: 2 (s. 107-118)

See schedule in Canvas for full programme!

 

Literature, Visual representations of Sámi in the sixteenth- and seventeenth century West (Rognald Bergesen)

Rognald H. Bergesen, «Hybrid Iconoclasm: Three Ways of Viewing the Sámi as the Other», Sámi Art and Aesthetics: Contemporary Perspectives, edited by Svein Aamold et.al. (2017). 

Literature to lecture on Art, duodji and aesthetic revitalization (Ingeborg Høvik)

Harlin, Eeva-Kristiina and Outi Pieski, "The Legacy of Ládjogahpir: Rematriating Sápmi with Foremother’s Hat of Pride", in Dressing with Purpose: Belonging and Resistance in Scandinavia (2021): 202-210.

Tuija Hautala-Hirvioja, "Traditional Sámi Culture and the Colonial Past as the Basis for Sámi Contemporary Art", Sami Art and Aesthetics (2017): 99-120
See also the reading from Ingeborg's lecture "What is Sámi art and craft?" on 30 August

Reading for guest lecture on John Savio, by Lena Gudd: 
Hautala-Hirvioja, Tuija. “Expressionism in Sámi Art: John Savio’s Woodcuts of the 1920s and 1930s», The Routledge Companion to Expressionism in a Transnational Context.

See schedule in Canvas for full programme!

10.15-12.00 COURSEWORK: groupwork presentations (Rognald Bergesen)

13.15-15.00 Lecture + discussion: Sámi architecture (Elin Haugdal)

Literature:

- Randi Sjølie, “Architectural Traditions in Sámi Landscapes”; Sunniva Skålnes, “Sámi through use - dwellings in Guovdageaidnu”; Mathias Danbolt and Joar Nango, “Hanging out in Girjegumpi”, in Huksendáidda: arkitektuvra Sámis / arkitektur i Sápmi / architecture in Sápmi (2022): 169-176, 181-185.

- Elin Haugdal, ”Strategies of Monumentality in Contemporary Sámi Architecture”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 211-238

- Elin Haugdal, Home: Learning from Sápmi, in Towards Home: Inuit and Sámi Placemaking. Ed. Partridge, Nango, Piirainen, Ruiz.

Møt opp ved MH-bygget, øvre (vestre) inngang. Tema er kontekst. Se tekst i Canvas, Moduler: "Spørsmål om kunstverkets kontekst"

Litteratur:

Andrew D. Hottle: More than "a preposterous neo-classic rehash:" Elisabeth Vigee Le Brun's Sibyl and its Virgilian connotations. Aurora, 2010 (120-146)

Cowling, Elizabeth (1990).On classic ground : Picasso, Léger, de Chirico and the new classicism 1910-1930: "Introduction" (ss. 11-29), "Classicisms of Trandscendenceand of Transience: Maillol, Picasso and De Chirico" (267 - 282), "Pastiche and the use of tradition" (296 - 308). NB! DET ER FØRST OG FREMST "INTRODUCTION" SOM BØR LESES FØR DISSE TO FORELESNINGENE.

Cowling, Elizabeth (1990).On classic ground : Picasso, Léger, de Chirico and the new classicism 1910-1930: "Introduction" (ss. 11-29), "Classicisms of Trandscendenceand of Transience: Maillol, Picasso and De Chirico" (267 - 282), "Pastiche and the use of tradition" (296 - 308). NB! DET ER FØRST OG FREMST "INTRODUCTION" SOM BØR LESES FØR DISSE TO FORELESNINGENE.

https://spormagasin.no/2020/09/festningsverket-skansen-i-tromso/

https://www.kulturminnesok.no/kart/?q=&am-county=&lokenk=location&am-lok=&am-lokdating=&am-lokconservation=&am-enk=&am-enkdating=&am-enkconservation=&bm-county=&cp=1&bounds=69.65334686823178,18.96213948726654,69.65126146790742,18.965953588485718&zoom=18&id=87577

See schedule in Canvas for full programme!

Literature to lecture on Taking home stolen photographs (Ingeborg Høvik)

Veli-Pekka Lehtola, "“Our Histories” in the Photographs of Others: Sámi Approaches to Archival Visual Materials", in Adjusting the Lens : Indigenous Activism, Colonial Legacies, and Photographic Heritage (2021): 143-166. 

Carol Payne, " Disruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut", in Adjusting the Lens : Indigenous Activism, Colonial Legacies, and Photographic Heritage (2021): 125-142. 

Harald Gaski, "Nils-Aslak Valkeapää: Indigenous Voice and Multimedia Artist", in AlterNative (2008-2009): 155-178. 

Ingeborg Høvik, "Reproducing the Indigenous: John Møller's studio portraits of Greenlanders in context", Acta Borealia (2016): 166-188. 

When: Thursday 31 October from 16:30-18:30
Where: the cinema on campus, TEO 6.222 (Teorifagbygget house 6: Room 6.222, kino) 

See schedule in Canvas for full programme!

10.15-12 Lecture: Maps as legacy, tool, and medium in contemporary Sámi art (Elin Haugdal)

Literature:

- Lundström, Jan-Erik, Names and Places: “The Cartographic Interventions of Hans Ragnar Mathisen”, in Afterall 44 , (2017): 104-111

- Elin Haugdal, “Dáiddakárta. Cartography in Contemporary Art Practices”, in JoLMA 5 (1) (2024): 117-144.