Timeplan 2019 Høst - lærer Ingeborg Høvik - Førsteamanuensis
Uke 34 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Fredag 23.08.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3900-1 | MA-seminar | R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 35 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Tirsdag 27.08.2019 |
08:15-10:00 | SVHUM C1005 |
HIF-3620-1 | Lectures | I. Høvik |
12:15-14:00 | SVHUM A3018 |
KVI-3123-1 | Forelesning Forelesning: Kunst – innenfor/utenfor Vi bruker hele uka på å arbeide med pensum knyttet til outsider art: Dubuffet, Jean, “In Honour of Savage Values”, oversatt av Kent Minturn, RES: Anthropology and Aesthetics, 2004: 259–268 (10 sider). URL (JSTOR) http://www.jstor.org/stable/20167652?seq=1#page_scan_tab_contents eller (The University of Chicago Press Journals) https://www.journals.uchicago.edu/doi/pdfplus/10.1086/RESv46n1ms20167652 Duncan, Carol, “Who Rules the Art World,” from The Aesthtics of Power: Essays in Critical Art History (Cambridge and New York: Cambridge University Press, 1993), 169-188. (19 s.) Elkins, James, “Naïfs, Faux-naïfs, Faux-faux naïfs, Would-be Faux-naïfs: There is No Such Thing as Outsider Art”, 2006 (10 sider). URL, James Elkins’ hjemmeside, http://www.jameselkins.com/index.php/essays/253-there-is-no-such-thing-as-outsider-art ) Maclagan, David, Outsider Art: From the Margins to the Marketplace, London: Reakton Books, 2012: 6–59 (54 sider); dvs. ‘Introduction’ og kapittel 1, ‘Art Brut and the Search for the Source of Creative Originality’. URL (Oria), https://ebookcentral.proquest.com/lib/tromsoub-ebooks/reader.action?docID=618764&ppg=76
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I. Høvik |
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Torsdag 29.08.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3123-1 | Forelesning EKSKUSJON HELE DAGEN Kunst – innenfor/utenfor (Trastad samlinger, Harstad, kl. 7-17) Pensum knyttet til outsider art: Dubuffet, Jean, “In Honour of Savage Values”, oversatt av Kent Minturn, RES: Anthropology and Aesthetics, 2004: 259–268 (10 sider). URL (JSTOR) http://www.jstor.org/stable/20167652?seq=1#page_scan_tab_contents eller (The University of Chicago Press Journals) https://www.journals.uchicago.edu/doi/pdfplus/10.1086/RESv46n1ms20167652 Duncan, Carol, “Who Rules the Art World,” from The Aesthtics of Power: Essays in Critical Art History (Cambridge and New York: Cambridge University Press, 1993), 169-188. (19 s.) Elkins, James, “Naïfs, Faux-naïfs, Faux-faux naïfs, Would-be Faux-naïfs: There is No Such Thing as Outsider Art”, 2006 (10 sider). URL, James Elkins’ hjemmeside, http://www.jameselkins.com/index.php/essays/253-there-is-no-such-thing-as-outsider-art ) Maclagan, David, Outsider Art: From the Margins to the Marketplace, London: Reakton Books, 2012: 6–59 (54 sider); dvs. ‘Introduction’ og kapittel 1, ‘Art Brut and the Search for the Source of Creative Originality’. URL (Oria), https://ebookcentral.proquest.com/lib/tromsoub-ebooks/reader.action?docID=618764&ppg=76
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I. Høvik |
14:15-16:00 | SVHUM A3018 |
KVI-1111-1 | Forelesning | R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
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Fredag 30.08.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3900-1 | MA-seminar Seminar: Grete Taraldsen og Tone Bjørnsen legger fram |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 36 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Torsdag 05.09.2019 |
10:15-16:00 | SVHUM A3012 |
KVI-2517-1 | Forelesning Introduction. Sámi art: historical and political contexts. John Andreas Savio. Svein Aamold, «Unstable Categories of Art and People», Sámi Art and Aesthetics…(2017): 13-27. Hanna Horsberg Hansen, «Sámi Artist Group 1978-1983 – A Story About Sámi Traditions in Transition», Sami Stories…(2014): 89-105 Monica Grini, «Historiographical Reflections on Sámi Art and the Paradigm of the National in Norwegian Art History», Sámi Stories…(2014): 48-67. Tuija Hautala-Hirvioja, «Expressionism in Sámi art: John Savio's woodcuts of the 1920s and 1930s» in The Routledge Companion to Expressionism in a Transnational Context, edited by Isabel Wünsche, 2019. Secondary Literature: |
M. Grini I. Høvik |
Fredag 06.09.2019 |
10:15-15:00 | SVHUM A3018 |
KVI-2517-1 | Forelesning What is Sámi art? The Sámi drum. Svein Aamold, «The Role of the Scholar in Research into Indigenous Art». Jimmie Durham, «The Vocabulary of Art, Why Beauty – (Why Not», and «And Yet». Nils Oskal, «The Character of the Milk Bowl as Separate World, and the World as a Multitudinous Totality of References» Charis Gullickson, «The Artist as Noaidi». Sámi Stories, 9-34. Gunvor Guttorm, “The Power of Natural Materials and Environments”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 163-177 Rauna Triumf, “Small stories: A guide to learning and teaching Sámi arts and crafts”, Indigenous Research: World Indigenous Nations Higher Education Consortium: Journal 2011 (2010): 77-86 Bergesen, Rognald H. (2016 ). “Lapponia and the Drum, Instruments of Integration and the Construction of the Other during the Confessionalisation of Northern Sweden”. In: Berg, S.H., Bergesen, R. H. & Kristiansen, R. E. (eds.). The Protracted Reformation in Northern Norway Vol. 2: Towards a Protestant North, TROLL 14. Håkan Rydving, «The Saami drums and the religious encounter in the 17th and 18th centuries», Scripta Instituti Donneriani Aboensis, 01 January 1991, Vol.14, pp.28-51 (pdf in Canvas) |
R.H. Bergesen I. Høvik |
12:15-14:00 | SVHUM E2004 |
KVI-3900-1 | MA-seminar IKKE SEMINAR |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 37 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Tirsdag 10.09.2019 |
08:15-10:00 | SVHUM C1005 |
HIF-3620-1 | Lectures | I. Høvik |
Fredag 13.09.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3900-1 | MA-seminar Ånhild Carina og Tone Maria legger fram (Adobe Connect) Husk å sende tekst for gjennomlesning innen mandag samme uke! |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 38 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Torsdag 19.09.2019 |
14:15-16:00 | SVHUM A3018 |
KVI-1111-1 | Forelesning Nederland: Landskapsmaler Robert Neuman. 2013.Baroque and Rococo art and architecture. First edition. Boston: Pearson, s. 222 - 229.
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I. Høvik |
Fredag 20.09.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3900-1 | MA-seminar Siri og Rachel (Adobe Connect) legger fram Husk å legge ut tekst for gjennomlesing innen mandag samme uke. |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 39 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Torsdag 26.09.2019 |
10:15-16:00 | SVHUM A3012 |
KVI-2517-1 | Forelesning Visual representations of Sámi in the sixteenth- and seventeenth century West. Postcolonial Perspectives. Aslaug Juliussen LECTURES TODAY WILL BE FROM 10.15-12, 13.15-14.00 AND 17.15-19.00 (Guest lecture with Charis Gullickson) Literature Rognald H. Bergesen, «Hybrid Iconoclasm: Three Ways of Viewing the Sámi as the Other», Sámi Art and Aesthetics: Contemporary Perspectives, edited by Svein Aamold et.al. (2017). Homi K. Bhabha, "Postmodernism / Postcolonialism" (2003) Gerardo Mosquera, "The Marco Polo Syndrome: Some Problems around Art and Eurocentrism" (1992) Robert J.C. Young, “Postcolonial Remains?”, New Literary History (2012): 19-42 Clifford, James, “On Orientalism”, The Predicament of Culture: Twentieth-Century Etnography, Literature, and Art (1988): 255-276 James Elkins, “Art History as a Global Discipline”, Is Art History Global? (2007): 3-23 Frantz Fanon, “On National Culture” (fra The Wretched of the Earth, 1961) Aslaug M. Juliussen : Intersections (2018) edited by Charis Gullickson. |
R.H. Bergesen I. Høvik Charis Gullickson |
Fredag 27.09.2019 |
10:15-15:00 | SVHUM A3018 |
KVI-2517-1 | Forelesning Postcolonial perspectives. Johan Turi's art. Literature Anne Heith, «Enacting colonised space; Katarina Pirak Sikku and Anders Sunna», Nordisk museologi, 69-83. Linda Andersson Burnett, «The ‘Lapland Giantess’ in Britain: Reading Concurrences in a Victorian Ethnographic Exhibition», Concurrent Imaginaries: Postcolonial Worlds (2017), 123-143. Cathrine Baglo, "Rethinking Sami Agency during Living Exhibitions: From the Age of Empire to the Postwar World." Performing Indigeneity: Global Histories and Contemporary Experiences (2014), 136-168. Svein Aamold, “Representing the Hidden and the Perceptible: Johan Turi’s Images of Sápmi”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 69-97 |
I. Høvik |
12:15-14:00 | SVHUM E2004 |
KVI-3900-1 | MA-seminar IKKE SEMINAR |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 41 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Tirsdag 08.10.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3123-1 | Forelesning Tirsdagsforelesning: Kunst, kjønn, identitet Vi arbeider med kapittel 7 "Authorship and Identity" i Preziosi (2009) og kapittel 3 "Feminism, art, and art history" + kapittel 4 "Subjects, identities, and visual ideology" i Harris (2001). |
I. Høvik |
Torsdag 10.10.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3123-1 | Forelesning Leseseminar: Kunst, kjønn, identitet Tekster fra kapittel 7 "Authorship and Identity" i Preziosi (2009). |
I. Høvik |
Fredag 11.10.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3900-1 | MA-seminar Julie og Håkon legger fram |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 42 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Tirsdag 15.10.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3123-1 | Forelesning Tirsdagsforelesning: Globalisering og radikal kunsthistorie Vi arbeider med kapittel 8, "Globalization and its Discontents" i Preziosi (2009) + "Conclusion" i Harris (2001) + Edward Said, “Empire, Geography, and Culture” (1994) (i kompendium i "Filer") |
I. Høvik |
Torsdag 17.10.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3123-1 | Forelesning Leseseminar: Globalisering og radikal kunsthistorie Vi arbeider med kapittel 8, "Globalization and its Discontents" i Preziosi (2009) + "Conclusion" i Harris (2001) + Said, “Empire, Geography, and Culture” (1994) |
I. Høvik |
Fredag 18.10.2019 |
12:15-14:00 | SVHUM A3018 |
KVI-3900-1 | MA-seminar Avlyst: Anna og Reidun legger fram fredag 1. november Husk å legge ut tekst for gjennomlesning innen mandag samme uke. |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 43 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Tirsdag 22.10.2019 |
08:15-10:00 | SVHUM C1005 |
HIF-3620-1 | Lectures | I. Høvik |
14:15-16:00 | SVHUM A3018 |
KVI-1111-1 | Forelesning Tema: Barokk maleri i koloniene Brienen, Rebecca. 2006. Visions of savage paradise : Albert Eckhout, court painter in colonial Dutch Brazil . Kapitler: "Introduction” og kapitlene 2-4, plansjer og noter, 11-26, 49-129, 231-232, 238-252 og 17 fargeplansjer (133 s.) |
I. Høvik |
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Torsdag 24.10.2019 |
10:15-16:00 | SVHUM A3012 |
KVI-2517-1 | Forelesning Sámi Architecture. Course work presentations. Iver Jåks. Literature Elin Haugdal, ”Strategies of Monumentality in Contemporary Sámi Architecture”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 211-238 Elin Haugdal, “‘It’s Meant to Decay’: Contemporary Sámi Architecture and the Rhetoric of Materials”, The Handbook of Contemporary Indigenous Architecture (2018). https://link.springer.com/content/pdf/10.1007%2F978-981-10-6904-8_30.pdf Irene Snarby “The Sculpture of Iver Jåks and the Question of Sámi Aesthetics”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 121-137 Harald Gaski, “Nils-Aslak Valkeapää: Indigenous Voice and Multimedia Artist”, AlterNative: An International Journal of Indigenous Peoples (2008): 155-178 Ruth B. Phillips, “The Modern and the Modernist in Twentieth-Century Indigenous Arts”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 327-330 |
R.H. Bergesen E.K. Haugdal I. Høvik |
Fredag 25.10.2019 |
10:15-15:00 | SVHUM A3018 |
KVI-2517-1 | Forelesning Contemporary Sámi art and establishing a «Sámi» art history. Course work presentations. Wrap-up and writing tips. Literature Anniken Greve, “Reopening Our Original Openness – Reflections on Landscape, Perception and Art”, Sámi Stories: Art and Identity of an Arctic People (2014): 68-87 Monica Grini, ’Contemporary Sámi Art in the Making of Sámi Art History…’, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 297-323 Tuija Hautala-Hirvioja, “Traditional Sámi Culture and the Colonial Past as the Basis for Sámi Contemporary Art”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 99-120 Ulla Angkjær Jørgensen, Performing the Forgotten: Body, Territory, and Authenticity in Contemporary Sámi Art”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 249-265 Irene Snarby, “Sámi Art between the Local and the Global”, Sakahàn: International Indigenous Art (2013) |
I. Høvik |
12:15-14:00 | SVHUM E2004 |
KVI-3900-1 | MA-seminar Ikke seminar |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
Uke 44 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Tirsdag 29.10.2019 |
08:15-10:00 | SVHUM C1005 |
HIF-3620-1 | Lectures | I. Høvik |
Uke 45 | |||||
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Dato | Tid | Rom | Emnekode | Beskrivelse | Lærer |
Tirsdag 05.11.2019 |
10:15-12:00 | SVHUM A3018 |
KVI-1111-1 | Forelesning Ingen forelesning |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
14:15-16:00 | SVHUM A3018 |
KVI-1111-1 | Forelesning Ingen forelesning |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
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Torsdag 07.11.2019 |
10:15-12:00 | SVHUM A3018 |
KVI-1111-1 | Forelesning Ingen forelesning |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |
14:15-16:00 | SVHUM A3018 |
KVI-1111-1 | Forelesning Ingen forelesning |
R.H. Bergesen E.K. Haugdal I. Høvik H. Olaussen |