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Timeplan 2019 Høst - lærer Ingeborg Høvik - Førsteamanuensis

Ingeborg Høvik

Uke 34
Mandag
Tirsdag
Onsdag
Torsdag
Fredag
12:15-14:00 - 23.08.2019
MA-seminar
Uke 35
Mandag
Tirsdag
08:15-10:00 - 27.08.2019
Lectures
Lærer:
I. Høvik
12:15-14:00 - 27.08.2019
Forelesning
Forelesning: Kunst – innenfor/utenfor

Vi bruker hele uka på å arbeide med pensum knyttet til outsider art:

Dubuffet, Jean, “In Honour of Savage Values”, oversatt av Kent Minturn, RES: Anthropology and Aesthetics, 2004: 259–268 (10 sider). URL (JSTOR) http://www.jstor.org/stable/20167652?seq=1#page_scan_tab_contents eller (The University of Chicago Press Journals) https://www.journals.uchicago.edu/doi/pdfplus/10.1086/RESv46n1ms20167652

Duncan, Carol, “Who Rules the Art World,” from The Aesthtics of Power: Essays in Critical Art History (Cambridge and New York: Cambridge University Press, 1993), 169-188. (19 s.)

Elkins, James, “Naïfs, Faux-naïfs, Faux-faux naïfs, Would-be Faux-naïfs: There is No Such Thing as Outsider Art”, 2006 (10 sider). URL, James Elkins’ hjemmeside, http://www.jameselkins.com/index.php/essays/253-there-is-no-such-thing-as-outsider-art )

Maclagan, David, Outsider Art: From the Margins to the Marketplace, London: Reakton Books, 2012: 6–59 (54 sider); dvs. ‘Introduction’ og kapittel 1, ‘Art Brut and the Search for the Source of Creative Originality’. URL (Oria), https://ebookcentral.proquest.com/lib/tromsoub-ebooks/reader.action?docID=618764&ppg=76

 

Lærer:
I. Høvik
Onsdag
Torsdag
12:15-14:00 - 29.08.2019
Forelesning
EKSKUSJON HELE DAGEN Kunst – innenfor/utenfor (Trastad samlinger, Harstad, kl. 7-17)

Pensum knyttet til outsider art:

Dubuffet, Jean, “In Honour of Savage Values”, oversatt av Kent Minturn, RES: Anthropology and Aesthetics, 2004: 259–268 (10 sider). URL (JSTOR) http://www.jstor.org/stable/20167652?seq=1#page_scan_tab_contents eller (The University of Chicago Press Journals) https://www.journals.uchicago.edu/doi/pdfplus/10.1086/RESv46n1ms20167652

Duncan, Carol, “Who Rules the Art World,” from The Aesthtics of Power: Essays in Critical Art History (Cambridge and New York: Cambridge University Press, 1993), 169-188. (19 s.)

Elkins, James, “Naïfs, Faux-naïfs, Faux-faux naïfs, Would-be Faux-naïfs: There is No Such Thing as Outsider Art”, 2006 (10 sider). URL, James Elkins’ hjemmeside, http://www.jameselkins.com/index.php/essays/253-there-is-no-such-thing-as-outsider-art )

Maclagan, David, Outsider Art: From the Margins to the Marketplace, London: Reakton Books, 2012: 6–59 (54 sider); dvs. ‘Introduction’ og kapittel 1, ‘Art Brut and the Search for the Source of Creative Originality’. URL (Oria), https://ebookcentral.proquest.com/lib/tromsoub-ebooks/reader.action?docID=618764&ppg=76

 

Lærer:
I. Høvik
14:15-16:00 - 29.08.2019
Forelesning
Fredag
12:15-14:00 - 30.08.2019
MA-seminar
Seminar: Grete Taraldsen og Tone Bjørnsen legger fram
Uke 36
Mandag
Tirsdag
Onsdag
Torsdag
10:15-16:00 - 05.09.2019
Forelesning
Introduction. Sámi art: historical and political contexts. John Andreas Savio.

Svein Aamold, «Unstable Categories of Art and People», Sámi Art and Aesthetics…(2017): 13-27.

Hanna Horsberg Hansen, «Sámi Artist Group 1978-1983 – A Story About Sámi Traditions in Transition», Sami Stories…(2014): 89-105

Monica Grini, «Historiographical Reflections on Sámi Art and the Paradigm of the National in Norwegian Art History», Sámi Stories…(2014): 48-67.

Tuija Hautala-Hirvioja, «Expressionism in Sámi art: John Savio's woodcuts of the 1920s and 1930s» in The Routledge Companion to Expressionism in a Transnational Context, edited by Isabel Wünsche, 2019.

Secondary Literature:
Art in Place: the Teorifagbygget art collection at the University of Tromsø. Edited by Torild Gjesvik, Unni Grøneng, Søren Ubisch.

Fredag
10:15-15:00 - 06.09.2019
Forelesning
What is Sámi art? The Sámi drum.

Svein Aamold, «The Role of the Scholar in Research into Indigenous Art».

Jimmie Durham, «The Vocabulary of Art, Why Beauty – (Why Not», and «And Yet».

Nils Oskal, «The Character of the Milk Bowl as Separate World, and the World as a Multitudinous Totality of References»

Charis Gullickson, «The Artist as Noaidi». Sámi Stories, 9-34.

Gunvor Guttorm, “The Power of Natural Materials and Environments”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 163-177

Rauna Triumf, “Small stories: A guide to learning and teaching Sámi arts and crafts”, Indigenous Research: World Indigenous Nations Higher Education Consortium: Journal 2011 (2010): 77-86

Bergesen, Rognald H. (2016 ). “Lapponia and the Drum, Instruments of Integration and the Construction of the Other during the Confessionalisation of Northern Sweden”. In: Berg, S.H., Bergesen, R. H. & Kristiansen, R. E. (eds.). The Protracted

Reformation in Northern Norway Vol. 2: Towards a Protestant North, TROLL 14.

Håkan Rydving, «The Saami drums and the religious encounter in the 17th and 18th centuries», Scripta Instituti Donneriani Aboensis, 01 January 1991, Vol.14, pp.28-51 (pdf in Canvas)

12:15-14:00 - 06.09.2019
MA-seminar
IKKE SEMINAR
Uke 37
Mandag
Tirsdag
08:15-10:00 - 10.09.2019
Lectures
Lærer:
I. Høvik
Onsdag
Torsdag
Fredag
12:15-14:00 - 13.09.2019
MA-seminar
Ånhild Carina og Tone Maria legger fram (Adobe Connect)

Husk å sende tekst for gjennomlesning innen mandag samme uke!

Uke 38
Mandag
Tirsdag
Onsdag
Torsdag
14:15-16:00 - 19.09.2019
Forelesning
Nederland: Landskapsmaler

Robert Neuman. 2013.Baroque and Rococo art and architecture. First edition. Boston: Pearson, s. 222 - 229.

 

Lærer:
I. Høvik
Fredag
12:15-14:00 - 20.09.2019
MA-seminar
Siri og Rachel (Adobe Connect) legger fram

Husk å legge ut tekst for gjennomlesing innen mandag samme uke.

Uke 39
Mandag
Tirsdag
Onsdag
Torsdag
10:15-16:00 - 26.09.2019
Forelesning
Visual representations of Sámi in the sixteenth- and seventeenth century West. Postcolonial Perspectives. Aslaug Juliussen

LECTURES TODAY WILL BE FROM 10.15-12, 13.15-14.00 AND 17.15-19.00 (Guest lecture with Charis Gullickson)

Literature

Rognald H. Bergesen, «Hybrid Iconoclasm: Three Ways of Viewing the Sámi as the Other», Sámi Art and Aesthetics: Contemporary Perspectives, edited by Svein Aamold et.al. (2017).

Homi K. Bhabha, "Postmodernism / Postcolonialism" (2003)

Gerardo Mosquera, "The Marco Polo Syndrome: Some Problems around Art and Eurocentrism" (1992)

Robert J.C. Young, “Postcolonial Remains?”, New Literary History (2012): 19-42

Clifford, James, “On Orientalism”, The Predicament of Culture: Twentieth-Century Etnography, Literature, and Art (1988): 255-276

James Elkins, “Art History as a Global Discipline”, Is Art History Global? (2007): 3-23

Frantz Fanon, “On National Culture” (fra The Wretched of the Earth, 1961)

Aslaug M. Juliussen : Intersections (2018) edited by Charis Gullickson.

Fredag
10:15-15:00 - 27.09.2019
Forelesning
Postcolonial perspectives. Johan Turi's art.

Literature

Anne Heith, «Enacting colonised space; Katarina Pirak Sikku and Anders Sunna», Nordisk museologi, 69-83.

Linda Andersson Burnett, «The ‘Lapland Giantess’ in Britain: Reading Concurrences in a Victorian Ethnographic Exhibition», Concurrent Imaginaries: Postcolonial Worlds (2017), 123-143.

Cathrine Baglo, "Rethinking Sami Agency during Living Exhibitions: From the Age of Empire to the Postwar World." Performing Indigeneity: Global Histories and Contemporary Experiences (2014), 136-168.

Svein Aamold, “Representing the Hidden and the Perceptible: Johan Turi’s Images of Sápmi”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 69-97

Lærer:
I. Høvik
12:15-14:00 - 27.09.2019
MA-seminar
IKKE SEMINAR
Uke 41
Mandag
Tirsdag
12:15-14:00 - 08.10.2019
Forelesning
Tirsdagsforelesning: Kunst, kjønn, identitet

Vi arbeider med kapittel 7 "Authorship and Identity" i Preziosi (2009) og kapittel 3 "Feminism, art, and art history" + kapittel 4 "Subjects, identities, and visual ideology" i Harris (2001).

Lærer:
I. Høvik
Onsdag
Torsdag
12:15-14:00 - 10.10.2019
Forelesning
Leseseminar: Kunst, kjønn, identitet

Tekster fra kapittel 7 "Authorship and Identity" i Preziosi (2009).

Lærer:
I. Høvik
Fredag
12:15-14:00 - 11.10.2019
MA-seminar
Julie og Håkon legger fram
Uke 42
Mandag
Tirsdag
12:15-14:00 - 15.10.2019
Forelesning
Tirsdagsforelesning: Globalisering og radikal kunsthistorie

Vi arbeider med kapittel 8, "Globalization and its Discontents" i Preziosi (2009) + "Conclusion" i Harris (2001) + Edward Said, “Empire, Geography, and Culture” (1994) (i kompendium i "Filer")

Lærer:
I. Høvik
Onsdag
Torsdag
12:15-14:00 - 17.10.2019
Forelesning
Leseseminar: Globalisering og radikal kunsthistorie

Vi arbeider med kapittel 8, "Globalization and its Discontents" i Preziosi (2009) + "Conclusion" i Harris (2001) + Said, “Empire, Geography, and Culture” (1994)

Lærer:
I. Høvik
Fredag
12:15-14:00 - 18.10.2019
MA-seminar
Avlyst: Anna og Reidun legger fram fredag 1. november

Husk å legge ut tekst for gjennomlesning innen mandag samme uke.

Uke 43
Mandag
Tirsdag
08:15-10:00 - 22.10.2019
Lectures
Lærer:
I. Høvik
14:15-16:00 - 22.10.2019
Forelesning
Tema: Barokk maleri i koloniene

Brienen, Rebecca. 2006. Visions of savage paradise : Albert Eckhout, court painter in colonial Dutch Brazil . Kapitler: "Introduction” og kapitlene 2-4, plansjer og noter, 11-26, 49-129, 231-232, 238-252 og 17 fargeplansjer (133 s.)

Lærer:
I. Høvik
Onsdag
Torsdag
10:15-16:00 - 24.10.2019
Forelesning
Sámi Architecture. Course work presentations. Iver Jåks.

Literature

Elin Haugdal, ”Strategies of Monumentality in Contemporary Sámi Architecture”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 211-238

Elin Haugdal, “‘It’s Meant to Decay’: Contemporary Sámi Architecture and the Rhetoric of Materials”, The Handbook of Contemporary Indigenous Architecture (2018). https://link.springer.com/content/pdf/10.1007%2F978-981-10-6904-8_30.pdf

Irene Snarby “The Sculpture of Iver Jåks and the Question of Sámi Aesthetics”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 121-137

Harald Gaski, “Nils-Aslak Valkeapää: Indigenous Voice and Multimedia Artist”, AlterNative: An International Journal of Indigenous Peoples (2008): 155-178

Ruth B. Phillips, “The Modern and the Modernist in Twentieth-Century Indigenous Arts”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 327-330

Fredag
10:15-15:00 - 25.10.2019
Forelesning
Contemporary Sámi art and establishing a «Sámi» art history. Course work presentations. Wrap-up and writing tips.

Literature

Anniken Greve, “Reopening Our Original Openness – Reflections on Landscape, Perception and Art”, Sámi Stories: Art and Identity of an Arctic People (2014): 68-87

Monica Grini, ’Contemporary Sámi Art in the Making of Sámi Art History…’, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 297-323

Tuija Hautala-Hirvioja, “Traditional Sámi Culture and the Colonial Past as the Basis for Sámi Contemporary Art”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 99-120

Ulla Angkjær Jørgensen, Performing the Forgotten: Body, Territory, and Authenticity in Contemporary Sámi Art”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 249-265

Irene Snarby, “Sámi Art between the Local and the Global”, Sakahàn: International Indigenous Art (2013)

Lærer:
I. Høvik
12:15-14:00 - 25.10.2019
MA-seminar
Ikke seminar
Uke 44
Mandag
Tirsdag
08:15-10:00 - 29.10.2019
Lectures
Lærer:
I. Høvik
Onsdag
Torsdag
Fredag
Uke 45
Mandag
Tirsdag
10:15-12:00 - 05.11.2019
Forelesning
Ingen forelesning
14:15-16:00 - 05.11.2019
Forelesning
Ingen forelesning
Onsdag
Torsdag
10:15-12:00 - 07.11.2019
Forelesning
Ingen forelesning
14:15-16:00 - 07.11.2019
Forelesning
Ingen forelesning
Fredag