Timeplan 2019 Høst - lærer Ingeborg Høvik - Førsteamanuensis

Svein Aamold, «Unstable Categories of Art and People», Sámi Art and Aesthetics…(2017): 13-27.

Hanna Horsberg Hansen, «Sámi Artist Group 1978-1983 – A Story About Sámi Traditions in Transition», Sami Stories…(2014): 89-105

Monica Grini, «Historiographical Reflections on Sámi Art and the Paradigm of the National in Norwegian Art History», Sámi Stories…(2014): 48-67.

Tuija Hautala-Hirvioja, «Expressionism in Sámi art: John Savio's woodcuts of the 1920s and 1930s» in The Routledge Companion to Expressionism in a Transnational Context, edited by Isabel Wünsche, 2019.

Secondary Literature:
Art in Place: the Teorifagbygget art collection at the University of Tromsø. Edited by Torild Gjesvik, Unni Grøneng, Søren Ubisch.

Svein Aamold, «The Role of the Scholar in Research into Indigenous Art».

Jimmie Durham, «The Vocabulary of Art, Why Beauty – (Why Not», and «And Yet».

Nils Oskal, «The Character of the Milk Bowl as Separate World, and the World as a Multitudinous Totality of References»

Charis Gullickson, «The Artist as Noaidi». Sámi Stories, 9-34.

Gunvor Guttorm, “The Power of Natural Materials and Environments”, Sámi Art and Aesthetics: Contemporary Perspectives (2017): 163-177

Rauna Triumf, “Small stories: A guide to learning and teaching Sámi arts and crafts”, Indigenous Research: World Indigenous Nations Higher Education Consortium: Journal 2011 (2010): 77-86

Bergesen, Rognald H. (2016 ). “Lapponia and the Drum, Instruments of Integration and the Construction of the Other during the Confessionalisation of Northern Sweden”. In: Berg, S.H., Bergesen, R. H. & Kristiansen, R. E. (eds.). The Protracted

Reformation in Northern Norway Vol. 2: Towards a Protestant North, TROLL 14.

Håkan Rydving, «The Saami drums and the religious encounter in the 17th and 18th centuries», Scripta Instituti Donneriani Aboensis, 01 January 1991, Vol.14, pp.28-51 (pdf in Canvas)