Timeplan 2021 Høst - lærer Rognald Heiseldal Bergesen - Universitetslektor

Litteratur:

Jordanova, Ludmilla, The Look of the Past. Visual and Material Evidence in Historical Practice, kap. 1 , ”Description and evidence”, s. 15-52

Litteratur:

Jordanova, Ludmilla, The Look of the Past. Visual and Material Evidence in Historical Practice, kap. 1 , ”Description and evidence”, s. 15-52

Litteratur: Ahnlund, Mats, Aamold, Svein, Arkitektur og kunstnerisk utsmykning ved Universitetet i Tromsø, 1993, 15 s.

Haugdal, Elin, "Campus Breivika", 25 s. i Hage, Ingebjørg m.fl. (red.), Hager mot nord - nytte og nytelse gjennom tre århundrer

Sámi Art and Aesthetics: Contemporary Perspectives, eds. Svein Aamold, Elin Haugdal and Ulla Angkjær Jørgensen, Aarhus: Aarhus University Press, 2017: Texts by Rognald Bergesen, Irene Snarby and Svein Aamold.

Sámi Art and Aesthetics: Contemporary Perspectives, eds. Svein Aamold, Elin Haugdal and Ulla Angkjær Jørgensen, Aarhus: Aarhus University Press, 2017: Texts by Rognald Bergesen, Tuija Hautala-Hirvioja, Charlotte Bydler, Gunvor Guttorm, Harald Gaski, Ulla Angkjær-Jørgensen and Monica Grini.

Aamold, Svein, “Landscape, Movement, Freedom: Agents for Synnøve Persen’s Painting”, Synnøve Persen, biegga savkala / vinden hvisker, published on the occasion of Persen’s retrospective anniversary exhibition at Porsáŋggu musea (Porsanger Museum), Leavdna/Lakselv, 2020, Kárášjohka/Karasjok: RiddoDuottarMuseat, 2020: 51–63 and illustrations pp. 7, 10, 19, 25–29, 32–33, 41, 45.

Gaski, Harald, “Nils-Aslak Valkeapää: Indigenous Voice and Multimedia Artist”, AlterNative: An International Journal of Indigenous Peoples, Vol. 4, No. 2, 2008: 155-178. DOI: 10.1177/117718010800400211.

Guttorm, Gunvor, “Stories Created in Stitches”, Afterall: A Journal of Art, Context and Enquiry, Vol. 45, No. 1, 2018: 18–23. ISSN 14654253. DOI: 10.1086/698390.

Hautala-Hirvioja, Tuija, “Expressionism In Sámi Art: John Savio's Woodcuts Of The 1920s And 1930s”, The Routledge Companion To Expressionism In A Transnational Context, 2018: 243–256 (chapter 12)

Heith, Anne, “Enacting Colonised Space: Katarina Pirak Sikku and Anders Sunna”, Nordisk Museologi, No. 2, 2015: 69–83. ISSN: 11038152. DOI: https://doi.org/10.5617/nm.3048

Kreuger, Anders, “Britta Marakatt-Labba: ‘Images Are Always Stories’”, Afterall: A Journal of Art, Context and Enquiry, Vol. 45, No. 1, 2018: 4–17. ISSN 14654253. DOI: 10.1086/698389.

Lundström, Jan-Erik, “Names and Places: The Cartographic Interventions of Hans Ragnar Mathisen,” Afterall, Vol. 44, No. 1, 2017: 104–111. DOI: 10.1086/695519.

Pollan, Brita, “A Stitching for Untold Stories: Britta Marakatt-Labba’s Embroidered Frieze”, Kunst til stede / Art in Place, ed. Torild Gjesvik, Unni Grøneng and Søren Ubisch, [Oslo]: Pax, 2008: 42-48. ISBN 978-82-530-3103-3.

Snarby, Irene, “A Conversation with Perisak Juuso”. Published 20 April 2020, http://www.norwegiancrafts.no/articles/a-conversation-with-perisak-juuso

Sørstrøm, Hilde, “Aslaug Juliussen: A Sense of Sustainability”. Interview, published 28 October 2019, http://www.norwegiancrafts.no/articles/aslaug-juliussen

Litteratur: Ahnlund, Mats, Aamold, Svein, Arkitektur og kunstnerisk utsmykning ved Universitetet i Tromsø, 1993, 15 s.

Haugdal, Elin, "Campus Breivika", 25 s. i Hage, Ingebjørg m.fl. (red.), Hager mot nord - nytte og nytelse gjennom tre århundrer

The Art of Art History, red. Preziosi, kap. 1:

• Donald Preziosi, ”Art as History: Introduction”, s. 13–21, 510
• Johann Joachim Winckelmann, ”Reflections on the Imitation of Greek Works in Painting and Sculpture”, s. 27–34, 510–512
• Whitney Davis, ”Winckelmann Divided: Mourning the Death of Art History”, s. 35–44, 512–514
• Michael Baxandall, ”Patterns of Intention”, s. 45–53

The Art of Art History, red. Preziosi, kap. 1:

• Donald Preziosi, ”Art as History: Introduction”, s. 13–21, 510
• Johann Joachim Winckelmann, ”Reflections on the Imitation of Greek Works in Painting and Sculpture”, s. 27–34, 510–512
• Whitney Davis, ”Winckelmann Divided: Mourning the Death of Art History”, s. 35–44, 512–514
• Michael Baxandall, ”Patterns of Intention”, s. 45–53

Litteratur: Ahnlund, Mats, Aamold, Svein, Arkitektur og kunstnerisk utsmykning ved Universitetet i Tromsø, 1993, 15 s.

Haugdal, Elin, "Campus Breivika", 25 s. i Hage, Ingebjørg m.fl. (red.), Hager mot nord - nytte og nytelse gjennom tre århundrer

The Art of Art History, red. Preziosi, kap. 3:

• Donald Preziosi, ”Form, Content, Style: Introduction”, 115–118, 517
• Heinrich Wölfflin, ”Principles of Art History”, s. 119–128, 517
• Ernst Gombrich, ”Style”, s. 129–140, 518
• David Summers, ”’Form’, Ninetheenth-Century Metaphysics, and the Problem of Art Historical Description”, s. 141–143, 518
• David Summers, ”Style”, s. 144–148

The Art of Art History, red. Preziosi, kap. 5:

• Donald Preziosi, ”Mechanisms of Meaning: Introduction”, s. 215–219, 527–528
• Erwin Panofsky, ”Iconography and Iconology: An Introduction to the Study of Renaissance Art”, s. 220–235, 528–531
• Hubert Damisch, ”Semiotics and Iconology: An Introduction to the Study of Renaissance Art”, s. 236-242, 531
• Mieke Bal og Norman Bryson, "Semiotics and Art History: A Discussion of Context and Senders", s. 243–255, 531–533

The Art of Art History, red. Preziosi, kap. 3:

• Donald Preziosi, ”Form, Content, Style: Introduction”, 115–118, 517
• Heinrich Wölfflin, ”Principles of Art History”, s. 119–128, 517
• Ernst Gombrich, ”Style”, s. 129–140, 518
• David Summers, ”’Form’, Ninetheenth-Century Metaphysics, and the Problem of Art Historical Description”, s. 141–143, 518
• David Summers, ”Style”, s. 144–148

The Art of Art History, red. Preziosi, kap. 5:

• Donald Preziosi, ”Mechanisms of Meaning: Introduction”, s. 215–219, 527–528
• Erwin Panofsky, ”Iconography and Iconology: An Introduction to the Study of Renaissance Art”, s. 220–235, 528–531
• Hubert Damisch, ”Semiotics and Iconology: An Introduction to the Study of Renaissance Art”, s. 236-242, 531
• Mieke Bal og Norman Bryson, "Semiotics and Art History: A Discussion of Context and Senders", s. 243–255, 531–533

Oppmøte på museet, Sjøgata 1.

Litteraur:

Ruth B. Philips, "Can you go out without your head?: fieldwork as transformative experience"