Timeplan 2021 Høst - lærer Rognald Heiseldal Bergesen - Universitetslektor

Litteratur: Ahnlund, Mats, Aamold, Svein, Arkitektur og kunstnerisk utsmykning ved Universitetet i Tromsø, 1993, 15 s.

Haugdal, Elin, "Campus Breivika", 25 s. i Hage, Ingebjørg m.fl. (red.), Hager mot nord - nytte og nytelse gjennom tre århundrer

The Art of Art History, red. Preziosi, kap. 3:

• Donald Preziosi, ”Form, Content, Style: Introduction”, 115–118, 517
• Heinrich Wölfflin, ”Principles of Art History”, s. 119–128, 517
• Ernst Gombrich, ”Style”, s. 129–140, 518
• David Summers, ”’Form’, Ninetheenth-Century Metaphysics, and the Problem of Art Historical Description”, s. 141–143, 518
• David Summers, ”Style”, s. 144–148

The Art of Art History, red. Preziosi, kap. 5:

• Donald Preziosi, ”Mechanisms of Meaning: Introduction”, s. 215–219, 527–528
• Erwin Panofsky, ”Iconography and Iconology: An Introduction to the Study of Renaissance Art”, s. 220–235, 528–531
• Hubert Damisch, ”Semiotics and Iconology: An Introduction to the Study of Renaissance Art”, s. 236-242, 531
• Mieke Bal og Norman Bryson, "Semiotics and Art History: A Discussion of Context and Senders", s. 243–255, 531–533

The Art of Art History, red. Preziosi, kap. 3:

• Donald Preziosi, ”Form, Content, Style: Introduction”, 115–118, 517
• Heinrich Wölfflin, ”Principles of Art History”, s. 119–128, 517
• Ernst Gombrich, ”Style”, s. 129–140, 518
• David Summers, ”’Form’, Ninetheenth-Century Metaphysics, and the Problem of Art Historical Description”, s. 141–143, 518
• David Summers, ”Style”, s. 144–148

The Art of Art History, red. Preziosi, kap. 5:

• Donald Preziosi, ”Mechanisms of Meaning: Introduction”, s. 215–219, 527–528
• Erwin Panofsky, ”Iconography and Iconology: An Introduction to the Study of Renaissance Art”, s. 220–235, 528–531
• Hubert Damisch, ”Semiotics and Iconology: An Introduction to the Study of Renaissance Art”, s. 236-242, 531
• Mieke Bal og Norman Bryson, "Semiotics and Art History: A Discussion of Context and Senders", s. 243–255, 531–533