| 12:00 |
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Aktiviteter i tidsrommet 12:15-14:00
| 12:15-14:00 |
SVHUM A3018
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| KVI-3123-1 |
Forelesning
Authorship, identity, globalization
The Art of Art History, red. Preziosi, kap. 7: - Judith Butler, ”Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory”, s. 356–366, 540–541
- Amelia Jones, 2002, “ “Every Man Knows Where and How Beauty Gives Him Pleasure” Beauty and Discourse and the Logic of Aesthetics”, s. 375-390.
- Jennifer Doyle, 2006, “Queer Wallpaper”, s. 391-401.
The Art of Art History, red. Preziosi, kap. 8: - Preziosi, «Introduction: Globalization and its Discontents”, s. 403-408.
- Timothy Mitchell, 1989, «Orientalism and the Exhibitionary Order”, s. 409-423.
- Carol Duncan, 1995, “The Art Museum as Ritual”, s. 424-434.
- Walter Benjamin, 1939, “The Work of Art in the Age of Its Technological Reproducibility”, s. 435-442.
- Satya P. Hohanty, 2002, “Can Our Values Be Objective?”, s. 443-454.
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S. Aamold
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Aktiviteter i tidsrommet 12:15-14:00
| 12:15-14:00 |
SVHUM A3018
|
| KVI-3123-1 |
Forelesning
Authorship, identity, globalization
The Art of Art History, red. Preziosi, kap. 7: - Judith Butler, ”Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory”, s. 356–366, 540–541
- Amelia Jones, 2002, “ “Every Man Knows Where and How Beauty Gives Him Pleasure” Beauty and Discourse and the Logic of Aesthetics”, s. 375-390.
- Jennifer Doyle, 2006, “Queer Wallpaper”, s. 391-401.
The Art of Art History, red. Preziosi, kap. 8: - Preziosi, «Introduction: Globalization and its Discontents”, s. 403-408.
- Timothy Mitchell, 1989, «Orientalism and the Exhibitionary Order”, s. 409-423.
- Carol Duncan, 1995, “The Art Museum as Ritual”, s. 424-434.
- Walter Benjamin, 1939, “The Work of Art in the Age of Its Technological Reproducibility”, s. 435-442.
- Satya P. Hohanty, 2002, “Can Our Values Be Objective?”, s. 443-454.
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S. Aamold
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Svein Aamold