Timeplan 2023 Høst - lærer Svein Aamold - Professor

Litteratur:

– Marcus B. Burke, «Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 1550-1700», A Companion to Renaissance and Baroque Art, kap. 23

- Catherine Hall-van den Elsen, «Life at Court: Luisa Roldán in Madrid 1689–1706», Women Artists in the Early Modern Courts of Europe (c. 1450–1700)

Claire Bishop, Artificial Hells, kap. 6–10

Claire Bishop, Artificial Hells, kap. 6–10

Aamold, Svein. 2017. “Representing the Hidden and the Perceptible: Johan Turi’s Images of Sápmi”, Sámi Art and Aesthetics: Contemporary Perspectives

Grini, Monica. 2017. “Contemporary Sámi Art in the Making of Sámi Art History: The Work of Geir Tore Holm, Outi Pieski and Lena Stenberg”, Sámi Art and Aesthetics: Contemporary Perspectives,

Guttorm, Gunvor. 2017. “The Power of Natural Materials and Environments in Contemporary Duodji”, Sámi Art and Aesthetics: Contemporary Perspectives

Guttorm; Gunvor. 2018. “Stories Created in Stitches”, Afterall: A Journal of Art, Context and Enquiry

Oskal, Nils. 2014. “The Character of the Milk Bowl as a Separate World, and the World as a Multitudinous Totality of References”, Sámi Stories: Art and Identity of an Arctic People.

Pollan, Brita. 2008. “A Stitching for Untold Stories: Britta Marakatt-Labba’s Embroidered Frieze”, Kunst til stede / Art in Place

Snarby Irene. 2017. “The Sculpture of Iver Jåks and the Question of Sámi Aesthetics”, Sámi Art and Aesthetics: Contemporary Perspectives